The Mikado gets a transfusion: Robert Allan Ackerman’s BLOOD 1
David Bowie would be proud. Within opening minutes of Robert Allan Ackerman’s highly original work of musical theater — it is promoted as a political thriller, to which we say pish tosh — this alluring and initially repellent (he grows on you) figure of glam rock played by Takaaki Hirakawa commands center stage of the ...
Not just talkin’ tap, dancing it too @ ALOUD
A wonderful learn-and-have-fun program heading our way after the New Year, as Central Library’s cozy Mark Taper Auditorium will host a special book talk sprung to life. New York Times dance critic Brian Seibert will converse with his Los Angeles cohort, Sasha Anawalt, about his new book, “What the Eye Hears, A History of American ...
Reading tap 1
Dancing, like writing, is a craft before it is an art. Rare is the professional who excels at both; the thousands of hours of practice necessary to make an artist rarely allow time for rigorous training in another genre. Somewhere between the craft and the art, though, lie scholarship and criticism, and the world is ...
Review: Twyla Tharp’s 50th, reminder of a revolutionary
photo: Sharen Bradford, New York Times Watching Twyla Tharp’s 50th Anniversary Tour performance at The Wallis in Beverly Hills was like taking a trip down memory lane with an old friend. (The Wallis co-commissioned the tour with four other presenters including The Joyce Theater in New York.) The old magic was there in Tharp’s juxtaposition ...
What a week! Los Angeles blossoms in the fine arts
I’ve inhabited Los Angeles more or less, since 1989. The city’s rich art existence, long undetected, has kept me busy and happy here. There is little doubt, however, that something arts-phenomenal is happening right now in our city. It must be true; the New York Times is sputtering about it all the time. In fact, ...
Review: Diavolo’s “L’Espace du Temps” @ VPAC
Calling Diavolo: Architecture in Motion a dance company is like calling a monster truck a nice vehicle. It’s big. It’s brash. It’s loud. Sometimes it’s brilliant. The LA-based company performed its three-part “L’Espace du Temps” at the Valley Performing Arts Center (VPAC) September 19 and 20. Presented in partnership with the Ford Signature Series, it ...
American theater classic, “Fences,” in affecting Long Beach production
A neglectful husband, three times a father, a self-righteous best friend, a guilty brother, a hungry paramour, a proud homeowner … also a garbageman and a failed athlete who’s outrightly selfish, bitter and mean to his son. (We discover that ultimately he’s a noble human being.) That bundle of conflict describes all the ways in ...
REVIEW: Aspen Santa Fe Ballet dancers shine at home
Tuesday evening at the Aspen District Theatre was an adults-only affair, in a wonderful way. Local heroes Aspen Santa Fe Ballet rolled out a three-part program of notable sophistication and artistic distinction. The attentive audience, fortunate to co-habit a beautiful Rocky Mountain city with a world-class ballet company, took it in thoughtfully—it’s something you feel ...
Clarion voice of songbird Judy Collins fills L.A. night sky 8
Yes, a songbird, thrush, warbler, coloratura, balladeer … she self-describes as a ‘troubadour.’ But who knew that folk-rock legend Judy Collins is also supremely entertaining, a raconteur spieling salty, even ribald stories all while innocently strumming her guitar? Tonight in a delicious free concert at Levitt Pavilion Los Angeles, Collins lulled her audience like a ...