Shechter, Cherkaoui @ Sadler’s Wells
The big kahuna of London dance, the temple, is Islington’s Sadler’s Wells Theatre. A place of entertainment for 300 years, dance became Sadler’s priority in 1928 when Old Vic manager Lilian Bayliss convinced Ninette de Valois to present the performances of what would eventually become the Royal Ballet (the English National and Birmingham Ballets started ...
‘The Magic Flute’ at English National Opera
Opera lovers in London have any numbers of possibilities. We can go mammoth: Aida in the Royal Albert Hall for an audience of 3500 with singers and orchestra miked to the max; or miniscule: the prizing-winning Opera Up Close at the Kings Head Theatre Pub in Islington for 110, its Prohibition-set Traviata currently running until ...
Opera occupies Union Station 1
The overture ended, a set of heavy double doors opened, and into Union Station spilled the opera audience. As the group dispersed, some displayed trepidation in their quest for the singers heard in their headsets. Others eschewed the life-sized version of Where’s Waldo: One couple made a beeline for the bar; ordering a bottle of ...
The perils of Pauline Schindler 1
In an early letter, Pauline Schindler wrote, “One of my dreams, Mother, is to have, someday, a little joy of a bungalow, on the edge of the woods and mountains near a crowded city, which shall be open just as some people’s hearts are open, to friends of all classes and types… Surely the mother ...
Mark Christian Miller by turns suave, touching at the Gardenia
“It’s really a downer!” admitted cabaret singer Mark Christian Miller, in genial patter during his tight set of jazz standards and high 1970s pop at Hollywood’s Gardenia Restaurant & Lounge Saturday night. “Is there anybody else here? It’s cold and I’m so lonely,” runs the plaintive lyric of Harry Nilsson’s “Life Line,” a jewel of ...
Koehler on Cinema: Love in Texas, Wandering in Vienna
Los Angeles—like all American cities—tends to get so few of the exceptional films from the international festival circuit that when two arrive in the same week, it’s worth paying attention. The fact that most moviegoers aren’t aware of the tiny slivers they’re getting from the huge festival pie is an issue by itself, another story ...
At Santa Fe Opera, not “Oscar”-worthy 2
Ascending the hallowed hilltop upon which Santa Fe Opera roosts is a treasured journey — even for the initiated. The massive parking lot is sprinkled with “tailgaters,” their fold-out picnic tables draped in linen, wine bottles atilt in ice buckets. It’s the first visual hint of a wonderful evening in store. Outdoor “lobbies” that encircle ...
Aspen Santa Fe Ballet takes on Cayetano Soto 2
You’re seated amidst a smallish audience in a theater in the middle of the country. You’re not in New York, you’re not in London. But you’re watching an advancement the art of classical ballet. It’s the premiere, this past weekend in Aspen, Colorado, of a new work by Cayetano Soto for Aspen Santa Fe Ballet ...
Balanchine visits Grand Park, courtesy of Los Angeles Ballet
Perhaps it was City Hall — imposing, authoritarian, standing “at attention” behind Grand Park’s platform stage — that riveted the crowd. People were afraid that if they misbehaved, they’d get busted. Or blame it on Balanchine. A huge throng of more than 3,000 respectful onlookers serenely watched Los Angeles Ballet present a double-bill of works ...
Back-up singers to the fore in “Twenty Feet From Stardom” 1
Providing a spectacular opening event of the second season of the Academy of Motion Picture Arts & Science’s “Oscars Outdoors” series: “Twenty Feet from Stardom.” The badly titled but otherwise smashing new documentary concerns a great subject: the art of the pop music back-up singer. Directed by Morgan Neville, it’s a must-see movie about American ...