Excuse me, Mr. Lipschitz’s sculpture, could you kindly move over?

Architecture & Design · Dance · Theater
You walk your dog, right? And you lug your groceries from the market to the car. So why shouldn’t the Los Angeles Music Center, as part of its $40 million Plaza renovation project, take its Jacques Lipschitz “Peace on Earth” sculpture for a little stroll as well? It’s been sitting in the same spot since ...

Review: ABT’s Misty·fying ‘La Bayadere’ disappoints 2

Dance · Reviews
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Let’s start at the end: During curtain calls at American Ballet Theatre’s “La Bayadère” Friday night at the Dorothy Chandler Pavilion, ballerina Isabella Boylston gave her bouquet to her partner Jeffrey Cirio with a deferential flourish. Then, in a strange, gender-bending moment, she and third lead Misty Copeland curtsied, and curtsied some more to Cirio, ...

Dylan Gutierrez brings his Romeo home to L.A. with The Joffrey Ballet

Dance · Music
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The Joffrey Ballet’s Dylan Gutierrez is an LA kid. Before he hit ten, he was on stage with Placido Domingo in LA Opera’s “Falstaff” and “Sampson and Delilah” at the Dorothy Chandler Pavilion. He was a student at the Los Angeles Ballet Academy in Encino – run by his former-ballerina mother – and was once ...

Stella Abrera, ABT’s proud Firebird, soon in flight at the Chandler 2

Dance
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She’s a woman of color in a white ballerina world. She began her training in Southern California, joined American Ballet Theatre, had a serious injury, recovered and was promoted to principal in 2015. Misty Copeland, right? No, it’s Stella Abrera. A Filipina American, her career trajectory is similar to Copeland’s but without all the hoopla. ...

Chicago troupes bring “The Art of Falling” to Los Angeles

Dance · Theater
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It’s not immediately obvious why Hubbard Street Dance Chicago and The Second City improv troupe collaborated on “The Art of Falling,” coming to the Ahmanson Theatre next weekend, except that both companies are based in Chicago. So I asked Michael Solomon, Associate Vice President of Programming at The Music Center, if he knew why. “Both ...

Mariinsky Ballet: Southern California viewing guide

Dance
That life can be difficult is no news. We all have to make tough decisions all the time. The latest? Where to see the great Mariinsky Ballet, also known as the Kirov Ballet, lately reverted to its Imperial Ballet nomenclature, in the ballet-and-orchestra conglomerate’s upcoming visits to Southern California. The Mariinsky ports some of the ...

Review: Under pink clouds, Music Center’s “Moves After Dark”

Dance · Reviews
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Dance critic Gillian Anne Renault contributes this review to arts·meme: As grey clouds turned pink Monday evening and a cool breeze dimpled the Mark Taper Forum pool, a powerful alto voice quieted the crowd for Moves After Dark, The Music Center’s inaugural, site-specific, mainly outdoor dance concert. The ambitious evening, well executed, proved a worthy ...

Oh Samuel Lee Roberts, you beautiful Alvin Ailey dancer

Dance
The pleasure of watching the splendid and just-gorgeous dancers of Alvin Ailey American Dance Theatre at the company’s opening night performance at the Dorothy Chandler Pavilion drove home how much time I have been spending looking at images of dancers on a computer. And how that is not the real deal. To get the full ...

God dances. Bow down!

Dance
At arts·meme, the words ‘Fred Astaire’ are not necessary. We believe the short code, “god,” will suffice. Here the 70-year old hoofer (now hoofer-in-heaven) gets pulled, ever modestly and reluctantly, into a solo performance by Bob Hope, at the 1970 Academy Awards show at the Dorothy Chandler Pavilion. The brilliant solo (we love his ‘do-the-swim,’ ...

Review: National Ballet of Canada’s “Romeo and Juliet” at the Music Center

Dance · Reviews
Alexei Ratmansky’s infusion of ballet classicism with inventive, sometimes quirky, contemporary dance movement reinvigorated “Romeo and Juliet” for a new generation last night at the Los Angeles Music Center. The National Ballet of Canada‘s compelling opening-night performance at the Dorothy Chandler Pavilion was further enlivened by live orchestral delivery of the Prokofiev score. Despite minor fits ...