Rumble at “Last Remaining Seats” with “West Side Story”

Dance · Film
We’re very thrilled to announce that arts·meme‘s Debra Levine will conduct a very special interview with the Academy Award-winning actor/dancer George Chakiris, a good friend of the blog, prior to the screening of West Side Story  (1961) on Saturday June 14. The classic movie-musical is the jewel in the crown of this summer’s “Last Remaining ...

Dance Camera West’s “Restructure” festival to kick off with stylish sculptural dance 3

Architecture & Design · Dance · Visual arts
Wow, Dance Camera West! If this image does not capture the coolest vision of dance-of-the-future, then we must not be in the midst of the go-go dance explosion happening right now in Los Angeles. We sure are excited to see performances by BODYTRAFFIC on the crazy “structure” artist Gustavo Godoy has created on a commission ...

Balanchine visits Grand Park, courtesy of Los Angeles Ballet

Dance · Reviews
Perhaps it was City Hall — imposing, authoritarian, standing “at attention” behind Grand Park’s platform stage — that riveted the crowd. People were afraid that if they misbehaved, they’d get busted. Or blame it on Balanchine. A huge throng of more than 3,000 respectful onlookers serenely watched Los Angeles Ballet present a double-bill of works ...

Elgart’s aquatic adventure @ the Music Center 1

Architecture & Design · Dance · Reviews
A marvelous event opened the annual Dance Camera West film festival Thursday evening. At dusk, we gathered ’round the Jacques Lipchitz “Peace on Earth” sculpture-fountain that anchors the plaza of the Los Angeles Music Center, one of our city’s rare pedestrian hobnobbing spots. Suddenly a tall tube of ruby fabric mysteriously appeared and began to ...

Fountain frolic by L.A. choreographers @ Dance Camera West

Dance · Film
In the city that spawned Esther Williams’ aquatic dance-pageantry, I really like the commissioning of fun, site-specific water dances fashioned by a cadre of top Los Angeles choreographers. Some of the names may not be fully known to followers of “concert” dance. And that’s not right. The list comprises four highly successful film, television, stage ...

Superb exhibition “Stravinsky and L.A. Dance” to close 2

Dance · Music
Stravinsky & L.A. Dance, located on the Dorothy Chandler Pavilion’s sunlight-strewn mezzanine celebrates the composer’s creative influence on Los Angeles dance-makers of the past. The photos (several by Otto Rothschild) are presented together with reconstruction materials of The Joffrey Ballet’s The Rite of Spring. Curated by Lorin Johnson and Mark Konecny and instigated and overseen by Music ...

Creative team behind Music Center triumph: Joffrey Ballet in Nijinsky’s “The Rite of Spring” 1

Dance
Lorin Johnson, Artistic Advisor for LA’s Rite; Ashley Wheater, Artistic Director for The Joffrey Ballet; Renae Williams Niles, Programming Director for The Music Center; Thor Steingraber, Vice President of Programming for The Music Center; Stephen Rountree, President & CEO for The Music Center; Millicent Hodson, Dance Historian; Kenneth Archer, Dance Historian. *     *     *   Read my ...

Review: The Joffrey Ballet’s “The Rite of Spring” at the Music Center 5

Dance · Reviews
We did not hoot, we did not holler, but we let rip with a bracing “bravo!” for Vaslav Nijinsky’s “The Rite of Spring” (Le Sacre du Printemps) at the Dorothy Chandler Pavilion Friday night. First, because the Joffrey Ballet’s 100th anniversary reconstruction of the historic Ballets Russes production was great. But mainly because … to ...

Strong women of early L.A. dance highlighted in Dorothy Chandler Pavilion exhibition 9

Dance · Visual arts
It is so thrilling to have a visual arts exhibition accompanying our Joffrey Ballet performances this weekend. Installed at one end of the Dorothy Chandler Pavilion’s glittering mezzanine level, the display feels like an historical moment for L.A dance.   Modest in appearance but profound in impact, the exhibit gathers photographs of innovative dance that poured ...

Merce lives

Dance
It’s exciting to see the Merce Cunningham Trust kick into high gear, deploying, under strict license and supervision, the master’s iconoclastic choreography onto dance troupes around the world (Cunningham died in 2009). Over the years, it’s been controversial whether dancers without specific training in Cunningham’s rigorous technique can properly execute his choreography. Clearly, based upon ...