Rudi Gernreich stunner: ‘The Swan’ for Lewitsky Dance in 1976

Dance · Fashion
We’re just starting to dig into the rich content of “Fearless Fashion: Rudi Gernreich,” the exhibition now up and running at the Skirball Cultural Center, with its stimulating mix of design, gender, fine art, and social issues. All those elements came crashing together, in a sixties kind of way, in the work of the adventurous ...

‘So L.A.’ in a good way: Jacob Jonas The Company reviewed

Dance · Reviews
by 
‘to the dollar,’ chor by jacob jonas, photography matthew brush It’s hard to avoid politics these days. We tweet about it, march about it, get outraged about it. It’s in your face in every medium. Including dance. Jacob Jonas The Company’s (JJTC) brilliantly danced mixed bill at The Wallis on Friday included two politically-charged works: ...

‘Buy local’ defines 2019/20 dance season at The Wallis

Dance
A big gang of arts journalists crossed the thin line to mount the stage of the Wallis Annenberg Center for the Performing Arts Tuesday evening to toast a special occasion whose time has come. In his annual upcoming-season announcement, The Wallis’s artistic director Paul Crewes, shown in photo with the Beverly Hills theater’s CEO Rachel ...

Dorrance Dance to fill Segerstrom Hall with tap funk & noise

Dance
Dorrance Dance: “ETM: Double Down” at Segerstrom Center May 3, 2019photo by Christopher Duggan It’s all based on a single idea, a profound one; it’s the notion that tap dancers are also musicians. And upon that premise the acclaimed tap dancer/choreographer Michelle Dorrance is prepared to ‘double down.’ She’ll aptly illustrate her point while dancing ...

A gift to Gwen from Jack

Dance · Fashion
FOSSE VERDON — Michelle Williams as Gwen Verdoncredit Eric Liebowitz/FX Networks Ed. note: Excerpted from a story published today in DANCE Magazine: You can see them in “Fosse/Verdon” episode one. Michelle Williams, playing Gwen Verdon, wears them with a cool, retro, forest-green jumpsuit. Tucked beneath a mop top of tousled Gwen Verdon locks, Williams sports ...

It’s Jack Cole time Tuesday on FX’s ‘Fosse/Verdon’

Dance · Film
Actor Christopher Tocco, above, plays Jack Cole in a backstage scene with the young Gwen Verdon in FX’s blockbuster eight-episode docu-drama, “Fosse/Verdon.” “Fosse/Verdon”‘s backstage scene between Verdon and her mentor Jack Cole is preceded by a Jack Cole jazz number vividly choreographed by “Hamilton” choreographer Andy Blankenbuehler, who is a co-producer of this series. Out with ...

Clippings tour: ‘Dirty Dancing,’ original version 1

Dance · Film
42nd Street (1933) choreography by Busby Berkeley This month’s edition of “Dirty Dancing: The Original” dates to the 1930s. If you think the McCarthy era saw the birth of the Hollywood black list you got that wrong. A work ‘lock-out’ took place during the Depression when chorus girls did not (ahem) ‘put out’ — and ...

Jack Cole on the Beeb 2

Dance
Jack Cole, Chita Rivera, Beale Street Blues It’s correct. The attention given, this past week, to the choreographer Jack Cole at the very moment of the debut of the Fosse/Verdon mini-series on FX. It’s correct because Verdon, a miraculous, one-off entertainer, was nearly a creation of Cole’s. And it’s correct because, basically: no Jack Cole, ...

Nureyev – the man, the dancer – in a stimulating documentary 1

Dance · Film
A rich companion piece to the soon-opening feature film, The White Crow (our review here), is the cleverly constructed new documentary, Nureyev, co-directed by BAFTA-nominated directors Jacqui Morris and David Morris. This doc, with its very unusual structure, was made with the support of the Nureyev Foundation. Released by CineLife Entertainment, Nureyev is a reworking ...

THE WHITE CROW: Getting Rudik right 2

Dance · Film · Reviews
WHITE CROW director Ralph Fiennes sets up museum shot for Oleg Ivanko as Rudolf Nureyev My headline news: dance people will absolutely love The White Crow. Most everything — in dance terms — about this rapturous feature film depicting the early life of ballet’s dark prince, Rudolf Nureyev, is spot on. (The film, based on ...