A shuffle away from democracy in prescient ‘Shiraz’ at Montpellier Danse

Dance · Reviews
It is nothing less than a confounding political moment in which to write about “Shiraz,” a dauntingly brilliant dance performance seen last night at Montpellier Danse’s Hanger Theatre performed by a troupe directed by a young choreographer, Armin Hokmi. The Iranian-born, Berlin-based dance maker made very clear that his work was inspired by the suppressed ...

A Martha Graham/Agnes de Mille meet-up in the 21st century 5

Dance
in photo kathleen tovar, center, victor barbee, john gardner, american ballet theatre Ed. note: This story by Debra Levine, commissioned and previously published by the Younes & Soraya Nazarian Center for the Arts, is reprinted with permission. During the Second World War, with American men losing their lives in the overseas fight against fascism, Agnes ...

Dance memories stored in a jewelry bag, a gift from Yuriko

Dance
A short time after Paul Taylor Dance Company founding member Sharon Kinney left Taylor’s company and had her first child, a son, she got a call for work. Calling was Yuriko (1920-2022), the great, fleeting exponent, and leading light, of Martha Graham Dance Company. It was the late sixties, and the Japanese-American dancer, transitioning from ...

Martha Graham Dance Company, dancing through time 2

Dance · Music
ed. note: This story by dance critic Debra Levine, commissioned and originally published by the Younes & Soraya Nazarian Center for the Arts, is reprinted with permission. When Martha Graham placed a single bare foot—famously small, her feet had enviable high arches—on the stage of New York’s 48th Street Theater in her 1926 debut as ...

REVIEW: Modern dance’s vivid origins in St. Denis/Shawn historic restagings 1

Dance · Reviews
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DANCES BY RUTH ST. DENIS & TED SHAWN September 30 – October 3, 2021The Theatre at St. Jean’s 150 East 76th St, New York City Bradley Shelver in Japanese Spear Dance by Ted Shawn (1919)photo Julie Lemberger Of the eloquent, elegantly presented sampling of choreography by Ruth St. Denis and Ted Shawn on view in ...

A Martha Graham x-ray of Trump’s COVID medical team

Dance · Ideas & Opinion
“The body never lies.” This aphorism is taught to every student of Dance History 101. It comes from Martha Graham, who received it from her father, Dr. George Graham, a neurological physician. “Martha, you must never lie to me, because movement never lies, and when I see your body I’ll know you are lying.” Dr. ...

Show some respect! for Martha Graham … and Jack Cole 5

Dance
I was intrigued to learn, while doing research, that Jack Cole, a great dance pedagogue, instructed his pupils as follows: “Jack asked us to stand when he entered the dance studio, like Martha Graham‘s students,” one of Cole’s late-life students at UCLA told me in an interview. Cole was long an admirer of Graham with ...

‘Instead of dance, it’s choreography,’ gripes choreographer Robert Alton 1

Dance · Film
danny kaye, ‘choreography’ number from white christmas (1954) Danny Kaye, in the screenshot above, performs a send-up of Jack Cole‘s Hindu-Jazz in Robert Alton‘s “Choreography” number in WHITE CHRISTMAS (1954). The number is primarily a spoof on Martha Graham, and I imagine Kaye inserting this little fillip just for fun. Kaye worked extensively with Jack ...

Lost Martha Graham solo finds contemporary context in world premiere @ The Soraya

Dance · Music
Martha Graham, ‘Immediate Tragedy’ 1937. Photo by Robert Fraser. Courtesy Martha Graham Resources, a division of the Martha Graham Center of Contemporary Dance, Inc A scholar’s cache of rediscovered materials—remnants of a 1937 Martha Graham solo fashioned in response to the Spanish Civil War—has spawned a digital collaboration between Martha Graham Dance Company and the ...

Martha Graham, Rita Hayworth share bill in 1923 2

Dance · Theater
Astonishing discovery by artsmeme‘s Hollywood dance detective … [More Hollywood dance detective stories here!] Every student of dance history knows that Martha Graham danced in the Greenwich Village Follies of 1923, produced by John Murray Anderson, first in Sheridan Square in the Village and then on Broadway. Correct? Yes, correct. Graham, above, appeared in the ...