Vera-Ellen’s teensy steak dinner recalled by dance coach
chubby cheeks Turning the conversation to Vera-Ellen, I asked Joan Bayley who worked with the Hollywood dancer on White Christmas, if she was a nice girl. “Yes, she was,” replied Joan. “She was not an exciting personality, but she was friendly and sweet.” I expressed my opinion that Vera-Ellen’s dancing is not my favorite, as ...
More on Alton’s ‘Choreography’ from WHITE CHRISTMAS (1954) 4
Above, an interesting shot of Vera-Ellen‘s “cute” entry into the Danny Kaye-starring “Choreography” number from WHITE CHRISTMAS (1954). You don’t see the dancer’s full descent in the final film. You just see her legs. Nor in the black-and-white photo is it possible to imagine the fuchsia color Vera-Ellen is wearing — a color made possible ...
‘Instead of dance, it’s choreography,’ gripes choreographer Robert Alton 1
danny kaye, ‘choreography’ number from white christmas (1954) Danny Kaye, in the screenshot above, performs a send-up of Jack Cole‘s Hindu-Jazz in Robert Alton‘s “Choreography” number in WHITE CHRISTMAS (1954). The number is primarily a spoof on Martha Graham, and I imagine Kaye inserting this little fillip just for fun. Kaye worked extensively with Jack ...
Bob Fosse, dancer, at UCLA Film & Television Archive
We’re all familiar with Bob Fosse, choreographer, and Bob Fosse, film director, right? And if we aren’t, UCLA Film & Television Archive is giving us a great opportunity to catch up as it celebrates a key influencer of modern cinema in “Fosse, Fosse, Fosse!” Fosse was a rarity … he advanced from dancer to choreographer ...
Hardest hit on ‘White Christmas’ movie set? The dancers. 9
The lyric may be “iconic,” but it’s also “ironic.” Robert Alton’s sumptuous dance duet, “The Best Things Happen While You’re Dancing,” a classy, flowing number for Vera-Ellen and Danny Kaye, in White Christmas (1954) reveals the choreographer’s signature moves. Alton [Easter Parade, There’s No Business Like Show Business, White Christmas] could move bodies around a ...
‘Dance Masters’ Chakiris & Chase in ‘An Evening at the Barn’
Two great dancers. Two beautiful people. Both with Los Angeles dance roots. Both gypsy dancers in the great decade of movie-musicals, the 1950s. Between them, their titles include: Gentlemen Prefer Blondes, There’s No Business Like Show Business, The 5,000 Fingers of Dr. T, Meet Me in Las Vegas, The I Don’t Care Girl, Daddy Long ...