Vera-Ellen’s teensy steak dinner recalled by dance coach
chubby cheeks Turning the conversation to Vera-Ellen, I asked Joan Bayley who worked with the Hollywood dancer on White Christmas, if she was a nice girl. “Yes, she was,” replied Joan. “She was not an exciting personality, but she was friendly and sweet.” I expressed my opinion that Vera-Ellen’s dancing is not my favorite, as ...
More on Alton’s ‘Choreography’ from WHITE CHRISTMAS (1954) 4
Above, an interesting shot of Vera-Ellen‘s “cute” entry into the Danny Kaye-starring “Choreography” number from WHITE CHRISTMAS (1954). You don’t see the dancer’s full descent in the final film. You just see her legs. Nor in the black-and-white photo is it possible to imagine the fuchsia color Vera-Ellen is wearing — a color made possible ...
‘Instead of dance, it’s choreography,’ gripes choreographer Robert Alton 1
danny kaye, ‘choreography’ number from white christmas (1954) Danny Kaye, in the screenshot above, performs a send-up of Jack Cole‘s Hindu-Jazz in Robert Alton‘s “Choreography” number in WHITE CHRISTMAS (1954). The number is primarily a spoof on Martha Graham, and I imagine Kaye inserting this little fillip just for fun. Kaye worked extensively with Jack ...
Bob Fosse, dancer, at UCLA Film & Television Archive
We’re all familiar with Bob Fosse, choreographer, and Bob Fosse, film director, right? And if we aren’t, UCLA Film & Television Archive is giving us a great opportunity to catch up as it celebrates a key influencer of modern cinema in “Fosse, Fosse, Fosse!” Fosse was a rarity … he advanced from dancer to choreographer ...
Hardest hit on ‘White Christmas’ movie set? The dancers. 11
The lyric may be “iconic,” but it’s also “ironic.” Robert Alton’s sumptuous dance duet, “The Best Things Happen While You’re Dancing,” a classy, flowing number for Vera-Ellen and Danny Kaye, in White Christmas (1954) reveals the choreographer’s signature moves. Alton [Easter Parade, There’s No Business Like Show Business, White Christmas] could move bodies around a ...
‘Dance Masters’ Chakiris & Chase in ‘An Evening at the Barn’
Two great dancers. Two beautiful people. Both with Los Angeles dance roots. Both gypsy dancers in the great decade of movie-musicals, the 1950s. Between them, their titles include: Gentlemen Prefer Blondes, There’s No Business Like Show Business, The 5,000 Fingers of Dr. T, Meet Me in Las Vegas, The I Don’t Care Girl, Daddy Long ...