Bob Fosse ‘wunderbar’ in MY SISTER EILEEN at retrospective 3

Dance · Film
It came as a mild surprise even to arts·meme‘s Debra Levine, despite delivering a talk, “Bob Fosse, Dancer,” prior to the two movie musicals (both named for ladies!) screened on August 25, 2018 at UCLA Film & Television Archive’s “Fosse, Fosse, Fosse!” retrospective. Bob Fosse was a good movie star! First up was KISS ME ...

Bob Fosse, dancer, at UCLA Film & Television Archive

Dance · Film
We’re all familiar with Bob Fosse, choreographer, and Bob Fosse, film director, right? And if we aren’t, UCLA Film & Television Archive is giving us a great opportunity to catch up as it celebrates a key influencer of modern cinema in “Fosse, Fosse, Fosse!” Fosse was a rarity … he advanced from dancer to choreographer ...

Spirited actress/director Ida Lupino showcased @ UCLA Film Archive

Film
This one is for Kelly Anne Graml, the longtime publicist at UCLA Film & Television Archive who has been a joy to work with and who will retire from the Archive soon. *          *         * Calling all me-too’ers and enough-is-enough’ers! Now’s the time to march across Wilshire Boulevard and get-thee to a round-up of films ...

Joan Crawford: an actress who paid her dues before #metoo

Film
A great double bill, this Friday night, as part of “Michael Curtiz: A Life in Film” series on now at UCLA Film & Television Archive, two powerful films directed by Curtiz and starring Joan Crawford. Mildred Pierce (1945) Joan Crawford’s career-renewing turn is the primary but far from the only attraction adorning one of Michael ...

Curtain-up on Curtiz retrospective @ UCLA Film & Television Archive

Film
Academy Award-winning director Michael Curtiz (1886-1962) whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942) and Mildred Pierce (1945) directed over 180 films — 94 of them during more than a quarter-century at Warner Bros. He helmed tearjerkers, swashbuckling adventures, westerns, musicals, war epics, historical dramas, horror films, melodramas and film noir. Curtiz’s protean ...

Kirk Douglas, the actor and the man

Film
A guest writer on the blog, Shannon Kelley, Head of Public Programs for the UCLA Film & Television Archive, contributes this appreciation of actor Kirk Douglas. The Archive is mid-stream in a comprehensive Douglas retrospective that runs through September. KIRK DOUGLAS: A CENTENNIAL CELEBRATION, commemorates the career and the life of the great Hollywood star, ...

Kirk! UCLA Film Archive kicks off sweeping centenary celebration

Film · Visual arts
Would not dream of missing Friday’s opening night — or viewing many of the 25 film titles featured therein — of UCLA Film & Television Archive’s centenary retrospective for actor Kirk Douglas (b. 1916). In his 60-year career he appeared in 90 movies, so claims Wikipedia. The massive movie star still lives among us. Kirk ...

Dark doings under SoCal sun in “Private Property” at TCM Fest

Film
by 
The Big Sleep and Horse Feathers are among the treasured favorites unspooling in spiffed-up restorations at the TCM Classic Film Festival, which kicks off Thursday night in Hollywood. But it’s not all starry A-listers on this year’s lineup. The vintage-film faithful will have a chance to discover an obscure and deeply weird independent film from ...

Great movies meet great graphic design: Saul Bass

Architecture & Design · Film · Visual arts
An illustrated lecture by Jan-Christopher Horak, director, UCLA Film & Television Archive, presents a selection of film titles, shorts and commercials by Academy Award–winning filmmaker Saul Bass (1920–1996). Best known as the designer behind the iconic, era-defining title sequences for such films as The Man with the Golden Arm (dir. Otto Preminger, 1955), Vertigo (dir. ...

Jack Cole choreography for GILDA set to sizzle on UCLA Film Archive big screen 1

Dance · Film
Do you enjoy this classic image of Rita Hayworth as GILDA? It’s a capture from  Hayworth’s iconic high-end striptease, “Put the Blame on Mame,” choreographed by Jack Cole, the brilliant dance maker who rocked Hayworth’s world at Columbia Pictures in the 1940s. Cole’s dance numbers (“Put the Blame on Mame,” “Amado Mio“), taken together, raise ...