‘Hopscotch’ing through the Bradbury Building
Photographic memories of “Hopscotch,” a rolling (literally, in cars), city-wide site-specific opera performance that in one of its home bases — the regal Bradbury Building of downtown Los Angeles — dancers scampered ’round audience, even in a wrought-iron caged elevator. Intermingling in the photo with crew from The Industry are the dancers of Ate9 Dance ...
Splashing with Steve Koplowitz at San Diego’s “Trolley Dances”
The life aquatic visits the land-of-the-drought via dance! Choreographer Stephan Koplowitz brings his keen eye for place, space, and unusual context to San Diego’s Trolley Dances for the next two weekends. The site-specific event, staged by San Diego Dance Theater for the past 17 years (a laudable achievement) tours dance lovers — and the just ...
Review: Under pink clouds, Music Center’s “Moves After Dark”
by gillian anne renault
Dance critic Gillian Anne Renault contributes this review to arts·meme: As grey clouds turned pink Monday evening and a cool breeze dimpled the Mark Taper Forum pool, a powerful alto voice quieted the crowd for Moves After Dark, The Music Center’s inaugural, site-specific, mainly outdoor dance concert. The ambitious evening, well executed, proved a worthy ...
‘ghosts’ waft cooly amidst Clare Graham curios
The weather was dark and dismal last Sunday evening for the opening of Stephanie Zaletel‘s spooky site-specific “ghosts,” a dance performance that took place in one of L.A.’s most happening art lofts. While the rain fell on York Avenue in Highland Park, a nice crowd found cozy respite by cramming into moryork gallery’s many nooks ...
Review: Heidi Duckler Dance Theatre’s “Dancing at Dunbar” 1
“It’s site-specific work, so feel free to walk around so you can see,” offered choreographer Heidi Duckler at the outset of Saturday night’s “Dancing at Dunbar” performance by Heidi Duckler Dance Theatre. In doing so, she encouraged her audience to remain active during the site-driven dance event. A full spectrum of Duckler fans and curiosity-seekers ...
Opera occupies Union Station 1
The overture ended, a set of heavy double doors opened, and into Union Station spilled the opera audience. As the group dispersed, some displayed trepidation in their quest for the singers heard in their headsets. Others eschewed the life-sized version of Where’s Waldo: One couple made a beeline for the bar; ordering a bottle of ...
Flying high, then down to earth: dance at LAX
A highlight of “Everywhere Nowhere,” choreographer Sarah Elgart’s rich installation presented this weekend in a courtyard at Los Angeles International Airport, was the dance maker in a Hitchcockian cameo-role. Dressed as a peasant, a field laborer, in hobbled Elgart, her back bent beneath the weight of a huge thatch of wheat, a vision of pathos ...
Elgart’s aquatic adventure @ the Music Center 1
A marvelous event opened the annual Dance Camera West film festival Thursday evening. At dusk, we gathered ’round the Jacques Lipchitz “Peace on Earth” sculpture-fountain that anchors the plaza of the Los Angeles Music Center, one of our city’s rare pedestrian hobnobbing spots. Suddenly a tall tube of ruby fabric mysteriously appeared and began to ...
Fountain frolic by L.A. choreographers @ Dance Camera West
In the city that spawned Esther Williams’ aquatic dance-pageantry, I really like the commissioning of fun, site-specific water dances fashioned by a cadre of top Los Angeles choreographers. Some of the names may not be fully known to followers of “concert” dance. And that’s not right. The list comprises four highly successful film, television, stage ...
Trisha Brown’s “Roof Piece” scales the J. Paul Getty Museum
Since its debut on the rooftops of New York’s SoHo in 1971, the legendary site-specific work has been remounted based on photographic documentation by photographer Babette Mangolte. In 2011, “Roof Piece” unfurled above New York City’s High Line. This past Saturday April 6, Trisha Brown dancers, donning fire-red costumes, scaled the iconic Getty Museum above ...