Laurie Sefton’s tasty dance offerings for Clairobscur
“Concert Walls” (2018) choreography by Laurie Sefton This evocative dance photo speaks to me, for, like many fellow Americans, I have walls on my mind. How I wish I didn’t. The image is of Concert Walls, a work from the attractive, diverse repertory of Clairobscur Dance Company, whose resident choreographer Laurie Sefton states with certitude, ...
Disney Hall, in living color, as L.A. Phil turns 100
Wow, wow, wow. This is fabulous. Our symphony orchestra, the Los Angeles Philharmonic (founded in 1918), is blasting into its centenary season in high style. It is converting its Frank Gehry-designed building, a happy pile-up of undulating stainless-steel surfaces, into a huge projection surface. Disney Hall will pop with crazy purples, blues, pinks and other psychedelic ...
A bubbly New Year’s Day ‘Salute to Vienna’ concert
Vienna, we salute you! The timeless tunes of Johann Strauss, Franz Lehar and Emmerich Kálmán will bubble like champagne around the mellifluous chamber of Walt Disney Concert Hall in a traditional Viennese New Year’s Day afternoon concert. A mix of operetta, ballroom dance, and the delicate beauty of ballet with acclaimed European singers and dancers ...
Bringing ballet to Beethoven: Melissa Barak @ the L.A. Phil
We chatted recently with Melissa Barak, artistic director of Barak Ballet, concerning her upcoming choreographic contribution to the Los Angeles Philharmonic’s annual gala concert September 29 at Walt Disney Concert Hall. The festive all-Beethoven program includes not only the Philharmonic but its conductor, Gustavo Dudamel, doing double duty with the Simon Boliivar Symphony of Venezuela. ...
Review: Under pink clouds, Music Center’s “Moves After Dark”
by gillian anne renault
Dance critic Gillian Anne Renault contributes this review to arts·meme: As grey clouds turned pink Monday evening and a cool breeze dimpled the Mark Taper Forum pool, a powerful alto voice quieted the crowd for Moves After Dark, The Music Center’s inaugural, site-specific, mainly outdoor dance concert. The ambitious evening, well executed, proved a worthy ...
Review: Lucinda Childs’ “Available Light” @ Disney Hall 6
It was the silver-mesh curtain draped across Disney Hall’s “McFries” pipe organ that gave the performance its first “wow” moment. Almost as though architect/set designer Frank Gehry tossed a throw-rug over a messy sofa to ‘red up for the guests. But Gehry’s living room is none other than L.A.’s stellar fantastic transformational concert hall named ...
Library of Congress ABT exhibit to roost at Disney Hall
In this photo dated 1938, dancer John Kriza stars in choreographer Eugene Loring’s characteristically American ballet about the notorious outlaw, Billy the Kid. Loring created the work for George Balanchine’s Ballet Caravan to a score by Aaron Copland. American Ballet Theatre first performed the work in its Chicago season in November 1940. [Loring’s significant southern ...
Review: No chopped liver, but still great: GATZ @ REDCAT 2
When I was a kid, my yiddishe grandmother would pack us sandwiches for Saturday movie matinee (she called it “the show”). My cousins and I would line up at the box office of Pittsburgh’s Manor Theater, clutching in our little hands a few bucks and our greasy brown-paper bag lunches. The theater concession’s stellar offerings ...
What the performing arts look like in Los Angeles
A post-performance picture captures the youth and vigor of the performing arts in Los Angeles today. Review of the concert one post below, or click here. With Miguel Perez, Lillian Rose Barbeito, Ja-Young Jessie Kim, Merett Miller Shah, Melissa Bourkas, Hai Kai, Andrew Cowan, Andrew Wojtal and Tina Finkelman Berkett at The Walt Disney Concert ...