Mozart @ 18 in Glyndbourne’s “La Finta”
Haven’t heard of La Finta? Not to worry, few people have. Written when the composer was but 18 years old and very (very) rarely performed, the anonymous text is primarily to blame: The Podesta (Mayor) is in love with his new gardener Sadrina, which is too bad for the servant Serpetta who more than fancies ...
Review: National Ballet of Canada’s “Romeo and Juliet” at the Music Center
Alexei Ratmansky’s infusion of ballet classicism with inventive, sometimes quirky, contemporary dance movement reinvigorated “Romeo and Juliet” for a new generation last night at the Los Angeles Music Center. The National Ballet of Canada‘s compelling opening-night performance at the Dorothy Chandler Pavilion was further enlivened by live orchestral delivery of the Prokofiev score. Despite minor fits ...
Somi aces Ace Hotel Shoreditch
I’d never heard of her but liked her look on the press announcement: the youthful but knowing joy of her open smile, the color riot of her wax print dress celebrating the burnished brown of her skin. Tickets only £10 (in Shoreditch?)The London launch of Lagos Music Salon, her new cd from Okeh. I remember ...
Dance Biennale 2014: Marina Giovannini meditates on beauty
The second week of BIENNALE DANCE 2014, an ambitious urban festival showcasing contemporary choreography whose tag line, “Gesture, Place, Community,” reflects curator Virgilio Sieni’s high aspiration for the art form, got off to a particularly strong start Tuesday evening in Venice. Among four vivid presentations by choreographers Sieni, Roy Assaf and duo Raffaella Giordano/Maria Muñoz, a ...
Gilliam’s brilliant, bonkers Berlioz @ ENO
Bombastic imaginations, bonkers juxtapositions, no attention to rules of deportment, and energy without limit. It would seem that Hector Berlioz and Terry Gilliam are a match made.. well, somewhere .. but certainly for each other. Following the wild and wooly success of his Damnation of Faust in 2011, Gilliam has trained his most particular talents ...
REVIEW: Maurice Hines tappin’ to mother’s heartbeat @ The Wallis 1
The act was called Hines, Hines & Dad. But song-and-dance man Maurice Hines, 70, rectified any oversight of his mom, Friday night, as he opened his one-man show powered by personal history, “Maurice Hines is Tappin’ Thru Life,” at the Wallis Annenberg Center for the Performing Arts. The touching, classy, and beautifully staged cabaret program, ...
Claude Lelouch on the friendship in “We Love You, You Bastard” 1
French film director Claude Lelouch, whose seventh film, A Man and a Woman (1966), catapulted an international career, persists in his cinematic exploration of the perils of the human heart — not just in love but in friendship. LeLouch’s 44th feature, “We Love You, You Bastard,” which opened the 18th annual COLCOA French film festival ...
Savion Glover, sole survivor
I’ve been paying attention to Savion Glover since he incandesced onto the theatre scene in The Tap Dance Kid at age 12. His level of virtuosity, enhanced by a cheeky grin and genuine joy at being up there just doin’ it! as impossible to resist as a warm sunny day (I live in London, remember). ...
Weaving magic to the Bard: The Royal Ballet in “The Winter’s Tale”
I don’t get to Covent Garden all that often lately. Downstairs to the Linbury Studio experiments, yes, but upstairs? Elegant always, but stately for my current tastes — my dance fix is generally fed by Sadlers Wells these days. Last season’s Royal Ballet encounter with Mayerling — my favorite narrative by far — had been ...
A doctor in the house: Doc Severinsen @ Valley Performing Arts Center 2
That Doc Severinsen is a natty dresser is well known. But when he hit the stage of the Valley Performing Arts Center Friday night clad in orange shirt, red pants and a blue, sequined paisley jacket, it took several moments for the rich visual effect to sink in. With unabated high energy, the 86-year-old trumpeter, ...