REVIEW: Daddy Dearest: Chris Lemmon’s touching tribute to Jack
A charming and winsome theatrical evening with a couple of talented Hollywood men … In “Jack Lemmon Returns,” now on through month’s end at the Broad Stage’s intimate “Edye” theater, Chris Lemmon shares his family photo album sprung to life. It’s the actor/musician’s one-man show of memories and anecdotes about his father, the hugely accomplished ...
Review: L-E-V’s “House” of dance invention @ REDCAT
Not since Dawn of the Dead did as stricken a posse of emaciated weirdos tromp before your eyes — all the better to experience, in real time, at REDCAT performance space. The stalwart black-box theater is rendered even darker by Avi Yona Bueno’s gorgeously murky lighting design for “House,” choreographer Sharon Eyal’s futuristic ballet for ...
Review: Ohad Naharin’s masterful “Sadeh21” @ CAP UCLA
Days after watching Batsheva Dance Company bring choreographer Ohad Naharin’s splendid full-evening work, “Sadeh21,” to vivid life in its U.S. premiere at the Center for the Art of Performance at UCLA, I am struck by the inadequacy of still photography in capturing the dance’s essence. The benign ring-around-the-rosy image, above, does not represent the multi-chaptered ...
Fresh air on a very hot night: No)one. Art House @ Highways
It was a sultry, sweltering, wonderful Saturday evening when a new dance posse, No)one. Art House, propelled ‘danse du moment‘ onto the stage of Highways Performance Space in Santa Monica. The audience, half-shvitzing from the room temperature, also seemed half-stunned by how stimulating, immediate and excellent the experience. An amazing cluster of nine dancers arising ...
Arts ladies of the weekend 2
It gave pleasure, in disparate performances over the weekend, to find and then ruminate on two outstanding players — both exemplary contributors operating in a mixed terrain. The duo included dancer Taisha Paggett and actress Carolyn Ratteray, both top notch, both, by happenstance, African-American artists. Ms. Paggett appears to be the muse of the savvy ...
Great performances overcome ‘Otello’ racist legacy @ ENO 2
I find Shakepeare’s Othello problematic in the extreme, all the racist references in the text, the historic use of blackface, the desperate fragility of a black man so easily duped by a white conniver, the hysteria around strong and bestial black hands closing around the white neck of the blameless Desdemona, even more so when ...
Critic’s round-up: Indian Jazz Suites, Laguna’s ‘Stars of Dance’ 1
L.A.’s big dance weekend — it had the dance-infatuated scampering up the heights of Bunker Hill, across the Cahuenga Pass and down Laguna way — has come to its close. Certainly the weekend’s big draw was the launch of a new contemporary dance company, Ezralow Dance, an event that also closed the Ford Amphitheatre for a ...
Review: Heidi Duckler Dance Theatre’s “Dancing at Dunbar” 1
“It’s site-specific work, so feel free to walk around so you can see,” offered choreographer Heidi Duckler at the outset of Saturday night’s “Dancing at Dunbar” performance by Heidi Duckler Dance Theatre. In doing so, she encouraged her audience to remain active during the site-driven dance event. A full spectrum of Duckler fans and curiosity-seekers ...
Review: Ate9 Dance & Fleck a pithy pairing @ REDCAT
“It’s the second night of the third week of the 11th year of the New Original Works festival,” announced Mark Murphy, executive director of REDCAT performance space Friday night in a pre-show greeting of his audience. Surveying the full house of folk who track with emerging performance art, Murphy’s flickering smile seemed to convey, “But ...
Nude ballet photos! Herman Cornejo, Ivan Vasiliev in near buff
Yes, budgets are tight. So we’re seeing our biggest ballet stars come on stage wearing less and less clothes! In this case, it’s no huge punishment. We are talking about two of the loveliest, most talented — and beefiest — guys in ballet today. Pictured at left, Herman Cornejo, who commenced the “Diana & Acteon” ...