REVIEW: Vertigo Dance Company’s time to heal & time to dance
by karen greenspan
korina fraiman, eden ben-shimol, theo samsworth, etai periphoto: marina baronova The Vertigo Dance Company returned to New York’s Baryshnikov Arts Center this past weekend (Jan 12-14) with a timely new work, “Pardes.” The choreographic creations and dancing of this vibrant company from Israel continue to be an immersive, affecting experience. Founded thirty years ago by ...
At CAP UCLA, the ‘B’s have it!
To be or not to be, that was the question Center for the Art of Performance at UCLA artistic director Kristy Edmunds pondered in fashioning her arts-forward performance series for the 2014-15 season. So much so that the curator tilted in one direction: toward artists with names starting with the letter ‘B.’ Yes, a barrage ...
Danielle Agami, dancer 1
Gobs of personal courage and febrile movement invention were on display in her choreography, last night, in “Mouth to Mouth” for Ate9 dANCEcOMPANY at the Los Angeles Theatre Center. But my biggest fascination — and pleasure — came from a close-up look at Israeli-born-and-trained Danielle Agami as a dancer. Coiling amidst her wonderful “Ate9” gang ...
Shechter, Cherkaoui @ Sadler’s Wells
by candace allen
The big kahuna of London dance, the temple, is Islington’s Sadler’s Wells Theatre. A place of entertainment for 300 years, dance became Sadler’s priority in 1928 when Old Vic manager Lilian Bayliss convinced Ninette de Valois to present the performances of what would eventually become the Royal Ballet (the English National and Birmingham Ballets started ...
Welcome to Los Angeles, Ido Tadmor
The renowned Israeli choreographer Ido Tadmor will visit Los Angeles next week for performances and workshops.
Yes, concentration camp. Yes, Abu Ghraib. Yes, disturbing. Choreography by Hofesh Shechter.
The most interesting guy out there, an Israeli-born dance maker who came out of Ohad Naharin’s shop at Batsheva Dance Company. His “Violet Kid” took Cedar Lake Contemporary Ballet to another level. Read my review in the Los Angeles Times.
Ailey-ites embrace their inner meshuggenah in “Minus 16” 1
I’ve seen Israeli choreographer Ohad Naharin’s “Minus 16,” in its various bits and pieces, components and rehashes, on Batsheva Dance Company (his home base), Cedar Lake Contemporary Ballet, and most recently on a gang of Cal Arts dance students. But what a wild trip, tonight in Costa Mesa, watching Alvin Ailey American Dance Theater try ...
Ailey rep line-up for O.C. lacks work by female choreographer
On tap during the upcoming seven-performance roster of Alvin Ailey American Dance Theater in Orange County: a juicy line-up of works by primarily American choreographers — we really like that and we include Ohad Naharin as an honorary American since his early career had a strong presence in New York. It’s spot-on that Robert Battle, ...
Hofesh Shechter talks … 1
Lyndsey Winship interviews Israeli born, London-based choreographer Hofesh Shechter, an ex-rocker, in Time Out London published today: Shechter has difficulty acknowledging his own success. ‘I’m experiencing failure daily,’ he says. ‘It’s difficult for me to connect to the idea that I’m successful. I can see it in the fact that my work tours all around ...
Barak Marshall’s MONGER danced in mameloshen 1
mameloshen: (yiddish) the mother tongue It’s been a Barak Marshall festival in Los Angeles lately and that’s the way it should be. Because this guy, a nervous bundle of Harvard-educated brains topped by a black-corkscrew hairdo, is the closest thing L.A. offers to a worldly — and if he continues on track — a world-class ...