Baryshnikov praises Pam Tanowitz
It’s whippped cream — dolloped onto Pam Tanowitz Dance receiving the Baryshnikov Art Center’s Cage Cunningham Award. It’s the high praise BAC Artistic Director Mikhail Baryshnikov gave in noting the ‘distinct intellectual journey’ of the choreographer’s work. “We have followed Pam’s work throughout the years, and are greatly impressed with her intelligence, determination, and the ...
Bujones blazes again, in new Herrault doc
If footage of the late Fernando Bujones (1955-2005) partnering Cynthia Gregory in Grand pas Classique, music by Daniel-Francois Auber, does not represent a pinnacle in American ballet, then what does? This outstanding pas de deux is on view [see 13:09] in a new online documentary about the amazing male dancer whose absence is still conspicuously ...
Royal Swedish Ballet’s stunning, unconventional ‘Juliet and Romeo’ soon @ Segerstrom
by gillian anne renault
With a history that stretches back to 1773, you’d expect the esteemed Royal Swedish Ballet to offer a “Romeo and Juliet” full of swordplay and courtly gowns. But no — not when master choreographer Mats Ek is in charge. He reimagined the tragic love story in 2013 with the same urban, gritty edge that he’s ...
At CAP UCLA, the ‘B’s have it!
To be or not to be, that was the question Center for the Art of Performance at UCLA artistic director Kristy Edmunds pondered in fashioning her arts-forward performance series for the 2014-15 season. So much so that the curator tilted in one direction: toward artists with names starting with the letter ‘B.’ Yes, a barrage ...
Preparing for four “Le Corsaire” (1856-restaged) performances by American Ballet Theatre next weekend at the Music Center. I’ve not seen anything beyond the warhorse pas de deux of this pirate-themed full-evening ballet. The PDD’s a beloved ballet chestnut, an old and familiar friend, bearing the slight tinge of mothballs. My only-middling enthusiasm for a full-length ...
Misha acts at Broad Stage, then Tavis Smiley chats him up
I enjoyed watching Mikhail Baryshnikov prowl the Broad Stage, supple as an alert deer, in director Dmitry Krymov’s “In Paris.” Playing a rigid retired military man, Nikolai Platonovic, Barysh speaks mellifluous Russian, his mother-tongue, and Russian-inflected French. The 80-minute dance-drama, an adaptation of a Russian short story by Ivan Bunin, opened Wednesday night in Santa ...
merce misha mashup 2
“Farewell Merce Cunningham Dance Company” weekend in Los Angeles was capped by a bonus performance in which Mikhail Baryshnikov appeared with the company. It was a fundraiser for the Cunningham Dance Foundation’s “Legacy Project” and REDCAT. Charles Atlas, with whom the choreographer collaborated on multiple video projects over thirty years, presented his film homage to Merce — ...