Makarova/Godunov triumph in molasses-tempoed Don Q pas de deux 1
Both are Russian-born-and-trained sensations: she of the Kirov, he of the Bolshoi. Both were Soviet defectors. I never saw him dance in person, but he fascinates me. I saw her dance many times, with American Ballet Theatre. I worship her. Note his one-armed lift (of her) at 0:53. Note her turns — every one of ...
Preparing for four “Le Corsaire” (1856-restaged) performances by American Ballet Theatre next weekend at the Music Center. I’ve not seen anything beyond the warhorse pas de deux of this pirate-themed full-evening ballet. The PDD’s a beloved ballet chestnut, an old and familiar friend, bearing the slight tinge of mothballs. My only-middling enthusiasm for a full-length ...
What David Hallberg seeks 1
This video excerpt from Russian television broadcast of the Bolshoi Theatre shows what David Hallberg wants more of … detailed personal coaching on Russian ballet classicism. He’s had a taste of it, and he’s going back for more. Apparently ABT could not offer him this. Otherwise why would he go? But you gotta laugh at ...
The dignity of ballerina Natalia Makarova 9
I was struck by a passage in Natalia Makarova‘s biography, “A Dance Autobiography,” (Knopf, 1979) edited by Robert Gottlieb (“What did ballet ever do to deserve this?”) when he was editor-in-chief at the New York publishing house. The text recalls an indignity Makarova suffered at the Kirov Ballet soon before she defected to the West ...