REVIEW: The Suzanne Farrell Ballet’s farewell bid @ The Kennedy Center 1
Forever Balanchine: Farewell Performances The Suzanne Farrell Ballet Kennedy Center Opera House, Washington, D.C. December 7 – 9, 2017 The repertory for “Forever Balanchine” – the final, bittersweet four-performance season of The Suzanne Farrell Ballet – resonated deeply and on many levels. At the Saturday matinee (the same program as Thursday’s opening night, but with ...
Adieu to The Suzanne Farrell Ballet~!
Nov
29
2017
With sadness and regret we learn that a valiant and artistically important ballet company will soon be no longer. In a farewell program of George Balanchine favorites, each with a special meaning for Ms. Farrell, the Kennedy Center’s The Suzanne Farrell Ballet celebrates its 16th and final season with performances in the Opera House, December ...
Uneclipsed: George Balanchine’s ‘Serenade’ 1
Aug
21
2017
A celestial event today, a solar eclipse in which the moon passes between the sun and Earth and blocks all or part of the sun, mesmerizing the public for a good two to three hours. This cosmic happening spurred a memory by Gary Moore, a former dancer with the Harkness, San Francisco and Pennsylvania Ballets, ...
Bujones blazes again, in new Herrault doc
If footage of the late Fernando Bujones (1955-2005) partnering Cynthia Gregory in Grand pas Classique, music by Daniel-Francois Auber, does not represent a pinnacle in American ballet, then what does? This outstanding pas de deux is on view [see 13:09] in a new online documentary about the amazing male dancer whose absence is still conspicuously ...
The two Georges: Balanchine & Chakiris
Okay, it’s a stretch! But bend-and-stretch is what dance is all about, isn’t it? Still, we were delighted to trip upon an amazing comparison, in a book review/essay by one of our premier dance writers, Joan Acocella. Publishing in The New Yorker magazine (“Balanchine Teaching” January 11, 2017), the critic/dance historian, in describing George Balanchine’s ...
Review: Los Angeles Ballet “Directors’ Choice” program
The last time I saw Los Angeles Ballet was at the Ford Theatre in the early 1980s – that, of course, was the other Los Angeles Ballet, the one directed by John Clifford. Always on shaky ground, and much maligned by the Los Angeles Times, it later faced dwindling financial support and stiff competition from ...
REVIEW: Ballerina Wendy Whelan, restless for a reason 2
At left, an iconic photograph of George Balanchine partnering Suzanne Farrell in “Don Quixote” for New York City Ballet. Wendy Whelan/Restless Creature, which we enjoyed Saturday evening in Long Beach, brought to mind this historic pairing — a great choreographer dancing with his muse. The four-ballet program, premiered in 2013 at Jacob’s Pillow Dance Festival, ...
Irina Baronova, baby ballerina no more
Oct
14
2014
In 1932 George Balanchine happened upon a ballet protégée, Irina Baronova, when she was a 12-year-old pupil of Olga Preobrajenska, the Russian ballerina teaching in exile in Paris. The visionary choreographer, who throughout his career would repeatedly mentor and package outstanding female dance talent, bundled Baronova with two equally precocious ballet cohorts, Tamara Toumanova (12) ...
Story of Tanaquil
We are so looking forward to Dance Camera West‘s special screening of “Afternoon of a Faun” at the Aero Theatre next Thursday evening, co-presented with the American Cinematheque. I will be interviewing Nancy Buirski, the documentary film’s director, after the screening. It portends to be an amazing event, mixing and matching a crowd of dance ...
Gomes transcends in Balanchine’s “Apollo” for ABT
Jul
12
2013
It was not just “awesome,” but indeed a privilege to watch Brazilian-born Marcelo Gomes, a great personal favorite, stretch his lovely long limbs as the Greek god, Apollo, in George Balanchine’s plotless ballet dating from 1928. In the dance the young man encounters and frolics with three muses, Calliope, the muse of poetry, Polyhymnia, the ...