REVIEW: The Suzanne Farrell Ballet’s farewell bid @ The Kennedy Center 1
by susan reiter
Forever Balanchine: Farewell Performances The Suzanne Farrell Ballet Kennedy Center Opera House, Washington, D.C. December 7 – 9, 2017 The repertory for “Forever Balanchine” – the final, bittersweet four-performance season of The Suzanne Farrell Ballet – resonated deeply and on many levels. At the Saturday matinee (the same program as Thursday’s opening night, but with ...
Adieu to The Suzanne Farrell Ballet~!
With sadness and regret we learn that a valiant and artistically important ballet company will soon be no longer. In a farewell program of George Balanchine favorites, each with a special meaning for Ms. Farrell, the Kennedy Center’s The Suzanne Farrell Ballet celebrates its 16th and final season with performances in the Opera House, December ...
L.A. Dance Project to dance in L.A.
by gillian anne renault
Some are still in a huff about Benjamin Millepied’s decision, in 2014, to leave Los Angeles and L.A. Dance Project, the much-hyped dance collective he co-founded less than two years earlier. But how could he not accept the offer to be dance director of the Paris Opera Ballet, one of the world’s oldest and most ...
Proud tradition: Lifetime Achievement Awards at the McCallum
Since 1998, a proud tradition in the desert: the McCallum Theatre’s annual Choreography Festiva honors a dance legend with a Lifetime Achievement Award. This year’s Award goes to Daniel Ezralow. 1998: Marc Breaux Award winning dancer, director and choreographer 1999: Grover Dale Tony Award winning director and founder of Answers4Dancers.com 2000: Lula Washington Choreographer and ...
REVIEW: Ballerina Wendy Whelan, restless for a reason 2
At left, an iconic photograph of George Balanchine partnering Suzanne Farrell in “Don Quixote” for New York City Ballet. Wendy Whelan/Restless Creature, which we enjoyed Saturday evening in Long Beach, brought to mind this historic pairing — a great choreographer dancing with his muse. The four-ballet program, premiered in 2013 at Jacob’s Pillow Dance Festival, ...
Arthur Mitchell delights in his ballerinas
“I love to partner,” admits the great pioneering African-American ballet dancer Arthur Mitchell who joined New York City Ballet in 1955. In conversation he shares affectionate sound bites about the ballerinas he partnered when dancing for choreographer George Balanchine at New York City Ballet, 1955 – 1966. On Allegra Kent: “Otherworldly. A real creature, there was nothing she ...