The two Georges: Balanchine & Chakiris
Okay, it’s a stretch! But bend-and-stretch is what dance is all about, isn’t it? Still, we were delighted to trip upon an amazing comparison, in a book review/essay by one of our premier dance writers, Joan Acocella. Publishing in The New Yorker magazine (“Balanchine Teaching” January 11, 2017), the critic/dance historian, in describing George Balanchine’s ...
Martha Graham emblazoned by Barbara Morgan photo @ VPAC
Fascinating words that may have resonance today, excerpted from “Martha Graham, A Biography,” by Don McDonagh, page 148: “We must win back our audiences,” [Graham said, in an interview prior to the Company appearance at the Mansfield Theater in Letter to the World]. “We have alienated them through grimness of theme and a nontheatrical approach ...
Diaghilev’s five great choreographers
We celebrate the exquisite legacy of the Ballets Russes, a phenomenal ballet troupe that debuted in Paris one hundred years ago. Theodore Kosloff, my subject in the Los Angeles Times and on arts•meme, was a first-generation member of Ballets Russes. Kosloff’s story piqued my interest (a polite way of saying “I’m obsessed!”) to attend the “Spirit of ...