As the young god Apollo, the title role of the ballet masterpiece created by the choreographer George Balanchine at the precocious age of 28, former New York City Ballet dancer Chase Finlay had “great dignity,” “tapering limbs,” “a beautifully long and firm neck,” and a “powerful thorax.” Those words were written by New York Times ...
If you love ballet … as I do … then it is with choking sadness (it is unbearably sad) to learn that we have lost the magisterial Balanchine ballerina Karin von Aroldingen who passed away at age 77 on January 5, 2018. She should not die. She was so utterly in control, at the same ...
She’s a woman of color in a white ballerina world. She began her training in Southern California, joined American Ballet Theatre, had a serious injury, recovered and was promoted to principal in 2015. Misty Copeland, right? No, it’s Stella Abrera. A Filipina American, her career trajectory is similar to Copeland’s but without all the hoopla. ...
I’m in a Cunningham frame of mind. Please enjoy and learn from this wonderful Cunningham tribute by Alastair Macaulay, the chief dance critic of the New York Times.
Alastair Macaulay, in the New York Times, reviews the work in 2008, performed by NYCB, Macaulay at his most inspired: I marvel in particular to watch and hear the many strangenesses with which Balanchine answers Stravinsky’s “Symphony in Three Movements.” He makes you hear the music better, and yet he often does so by springing ...
We celebrate the exquisite legacy of the Ballets Russes, a phenomenal ballet troupe that debuted in Paris one hundred years ago. Theodore Kosloff, my subject in the Los Angeles Times and on arts•meme, was a first-generation member of Ballets Russes. Kosloff’s story piqued my interest (a polite way of saying “I’m obsessed!”) to attend the “Spirit of ...