Review: No chopped liver, but still great: GATZ @ REDCAT 2
When I was a kid, my yiddishe grandmother would pack us sandwiches for Saturday movie matinee (she called it “the show”). My cousins and I would line up at the box office of Pittsburgh’s Manor Theater, clutching in our little hands a few bucks and our greasy brown-paper bag lunches. The theater concession’s stellar offerings ...
Review: Streisand, refridgerated
Warming the nippy November night with her presence, Barbra Streisand captivated the Hollywood Bowl — an outdoor amphitheater, a house of 18,000 seats — in a wonderful concert. She looked gorgeous and her voice was gorgeous, often silken and surprising. A powerful, beautiful woman dressed sharp in a black sequined pant-ensemble, Streisand commanded the Bowl’s ...
Stones still rolling fifty years later, on HBO 1
When the great blues-steeped rock band, The Rolling Stones, launched in 1962, I was seven years old — and already an budding arts journalist. Their marking a half century of existence is the magical stuff of a generation. Last night we previewed Crossfire Hurricane, the 100-minute tour de force of fascinating original footage knitted together ...
Heidi’s healing happening in Elysian Park 2
In her most recent escapade, the skyscraper-topping “Cleopatra CEO,” Heidi Duckler ramped up her audience with an heady dance cocktail mixing corporate and sexual politics. This past weekend, the pied-piper choreographer, having transformed us into alpha men, led us to a forested glen in Elysian Park, one mile outside downtown Los Angeles. There on the ...
Wayne Shorter blows his own horn at L.A. Jazz Society tribute
At a swank do at the Universal Hilton Hotel Sunday evening, the Los Angeles Jazz Society, for the past 29 years the labor of love of Flip Manne (she’s the surviving widow of drummer Shelly Manne), honored saxophonist Wayne Shorter as its 2012 Jazz Tribute Honoree. Movie maven Leonard Maltin, also a jazz lover, smoothly ...
REVIEW: The Los Angeles Philharmonic dances! 2
A big week for dance in Los Angeles: first came the premiere of L.A. Dance Project under the direction of Benjamin Millepied. Then followed Thursday’s symphony gala celebrating what Los Angeles Philharmonic conductor Gustavo Dudamel called, in pre-concert remarks, “a union of the arts.” Dance shared the stage, rather marvelously, with our symphony orchestra. Grand ...
Only Marvin Hamlisch was missing. Pasadena Pops honors conductor.
A concert that culminates with the great lyricist Alan Bergman crooning in aching nostalgia The Way We Were, a song that he, his writing partner and wife Marilyn, and composer Marvin Hamlisch co-wrote for Barbra Streisand, is an event I’m interested in attending. Bergman is so special, a poet, really. The Pasadena Symphony’s high-quality tribute ...
Southwest Chamber Music’s plein air concert at The Huntington
A terrific, even heady, evening of chamber music at the Huntington Gallery in San Marino last night — a neatly tailored program of French composers for a Sunday’s eve by Southwest Chamber Music. After picnicking on the manicured lawn, we repaired to the gallery’s high-ceilinged, red-tiled patio-loggia decorated with doric columns and marble busts. There ...
Gary Lucas’s “scary magical Jews” terrify in “Der Golem” @ Cinefamily 1
Grammy-nominated Gary Lucas, whom Rolling Stone calls “one of the best and most original guitarists in America,” performed his well-traveled and exceedingly harrowing score to “Der Golem,” the brilliant 1920 silent horror exemplar of German expressionism. The sold-out performance took place earlier this evening at The Cinefamily on Fairfax Avenue — speaking of ghostly Jewish ...
Review: BodyTraffic at the Gindi 1
Did you feel the earthquake that rocked the top of the 405 Freeway near Mulholland Drive Thursday night? Oh, you missed it? It was the tremor of excitement when BodyTraffic, Los Angeles’s newest and best entry into the contemporary dance universe, shook the stage of the University of Judaism’s Gindi Auditorium. The ten-member troupe, co-directed ...