A triumph for ABT, Ratmansky’s “The Sleeping Beauty”
American Ballet Theatre celebrated its 75th anniversary last evening at Segerstrom Hall with its sublime new “The Sleeping Beauty” staged by Alexei Ratmansky using original choreography by Marius Petipa interpolated with contributions of his own. The sheer beauty of the production and the revelation of how fresh and compelling the Petipa language positions our national ...
Lovely ladies-in-motion from choreographer Kyle Abraham
Both “The Watershed” and “When the Wolves Came in,” the paired set of dance programs by Kyle Abraham/Abraham.In.Motion presented at Royce Hall by the Center for the Art of Performance at UCLA, drew inspiration from serious political and social issues — racial injustice and resulting liberation struggles in the Civil Rights movement and the fight ...
REVIEW: Ballerina Wendy Whelan, restless for a reason 2
At left, an iconic photograph of George Balanchine partnering Suzanne Farrell in “Don Quixote” for New York City Ballet. Wendy Whelan/Restless Creature, which we enjoyed Saturday evening in Long Beach, brought to mind this historic pairing — a great choreographer dancing with his muse. The four-ballet program, premiered in 2013 at Jacob’s Pillow Dance Festival, ...
Jail bait from Hollywood choreographer Alex Romero
A new book “The Man Who Made the Jailhouse Rock: Alex Romero, Hollywood Choreographer,” author, Mark Knowles, briefly reviewed: Alex Romero was one of the last of the Hollywood Studio staff choreographers who never received the attention or success he deserved. As if his life story is not remarkable enough, his talents were well known ...
REVIEW: Daddy Dearest: Chris Lemmon’s touching tribute to Jack
A charming and winsome theatrical evening with a couple of talented Hollywood men … In “Jack Lemmon Returns,” now on through month’s end at the Broad Stage’s intimate “Edye” theater, Chris Lemmon shares his family photo album sprung to life. It’s the actor/musician’s one-man show of memories and anecdotes about his father, the hugely accomplished ...
Review: L-E-V’s “House” of dance invention @ REDCAT
Not since Dawn of the Dead did as stricken a posse of emaciated weirdos tromp before your eyes — all the better to experience, in real time, at REDCAT performance space. The stalwart black-box theater is rendered even darker by Avi Yona Bueno’s gorgeously murky lighting design for “House,” choreographer Sharon Eyal’s futuristic ballet for ...
Review: Ohad Naharin’s masterful “Sadeh21” @ CAP UCLA
Days after watching Batsheva Dance Company bring choreographer Ohad Naharin’s splendid full-evening work, “Sadeh21,” to vivid life in its U.S. premiere at the Center for the Art of Performance at UCLA, I am struck by the inadequacy of still photography in capturing the dance’s essence. The benign ring-around-the-rosy image, above, does not represent the multi-chaptered ...
Fresh air on a very hot night: No)one. Art House @ Highways
It was a sultry, sweltering, wonderful Saturday evening when a new dance posse, No)one. Art House, propelled ‘danse du moment‘ onto the stage of Highways Performance Space in Santa Monica. The audience, half-shvitzing from the room temperature, also seemed half-stunned by how stimulating, immediate and excellent the experience. An amazing cluster of nine dancers arising ...
Arts ladies of the weekend 2
It gave pleasure, in disparate performances over the weekend, to find and then ruminate on two outstanding players — both exemplary contributors operating in a mixed terrain. The duo included dancer Taisha Paggett and actress Carolyn Ratteray, both top notch, both, by happenstance, African-American artists. Ms. Paggett appears to be the muse of the savvy ...
Great performances overcome ‘Otello’ racist legacy @ ENO 2
I find Shakepeare’s Othello problematic in the extreme, all the racist references in the text, the historic use of blackface, the desperate fragility of a black man so easily duped by a white conniver, the hysteria around strong and bestial black hands closing around the white neck of the blameless Desdemona, even more so when ...