Our shared racist past surfaced in “Neighbors”

Reviews · Theater
People can be color-blind when it comes to race. In fact, skin color doesn’t even matter. Based on that idealistic credo — the legacy of the civil rights movement and ’60s egalitarianism — Richard and Jean Patterson, an interracial couple who are the subject of a brilliant new play, “Neighbors,” marry. He’s black, she’s white. ...

Charlie Chaplin to reappear at Cinecon

Film
I’m looking forward to attending the 46th annual Cinecon Classic Film Festival at the Egyptian Theater in Hollywood California over Labor Day weekend, September 2-6, 2010. The big event at this year’s festival is the screening of a previously lost Charlie Chaplin film, “A Thief Catcher” from Keystone Studios, 1914. Film collector Paul Gierucki found ...

Natalia Osipova’s ethereal “Giselle” 1

Dance
I met and briefly interviewed the phenomenal 24-year-old Bolshoi and ABT ballerina Natalia Osipova yesterday, in rehearsal for an upcoming performance in Orange County next January. She struck me as a magnificently moody Russian. Read my L.A. Times article here. This Russian television broadcast shows Osipova’s unearthly technique, particularly her jumps, and there is something so ...

Antonioni’s sophisticated chick flick

Film
How pleasant to stroll onto the campus of the Los Angeles County Museum of Art, and travel in time and space to Italy of the 1950s — and totally avoid LAX. At LACMA we enjoyed Michelangelo Antonioni’s “Le Amiche” (“The Girlfriends,” 1955), the great Italian director’s refined social melodrama. The film depicts the world of ...

Ken Russell & Dr. Kildare tackle Tchaikovsky

Film
It was touching to see Richard Chamberlain with his wild-man director of forty years ago, Ken Russell, at Sunday’s screening of the octogenarian’s exuberant Tchaikovsky biopic, “The Music Lovers” (1970). The reversal of the usual post-screening Q&A set-up also seemed fitting. The actor and the white-haired cinema maestro sat not before the audience, on a stage, but ...

Jack Cole bangs the drum, but not slowly 1

Dance
Norton Owen, Jacob Pillow‘s wonderful Preservation Director, gave kind permission to publish this extraordinary photo of Jack Cole teaching class at the rustic dance retreat in 1971.  (Click photo for detail.) A Jack Cole dancer, Rod Alexander, once described how the ferociously intense choreographer would give his drum as much of a beating as he ...

Kyle Abraham makes it or breaks it

Dance · Music
“I got really frustrated when a good song got ‘broken,'” says the soft-spoken young choreographer, Kyle Abraham, chatting over breakfast at Jacob’s Pillow this past weekend. “I’d call the station many times to vote in support [of cutting-edge music the audience didn’t like.]” During my three-day visit to the historic summer dance venue, I enjoyed ...

arts•meme at the Pillow

Dance
I am in an arts paradise called Jacob’s Pillow. It’s my first visit to the Pillow, the hallowed Berkshire Mountain birthing ground of modern dance dedicated to preserving, nurturing and presenting dance of every idiom — contemporary, jazz, ballet and ethnic. Last night at the Pillow’s summer dance festival, I saw a wonderful performance by ...

Kenneth Anger recalls blacklisted Jack Cole dancers 1

Dance · Film
The first time I heard the name Jack Cole was not from a dance person but from experimental filmmaker Kenneth Anger. Upon hearing that I am a dance critic, Anger, 83, said: “Someone needs to write about Jack Cole.” Kenneth Anger has distinct memories of hanging out with Jack Cole dancers in Paris: “Hollywood was ...

Mitzi Gaynor fabulous in Jack Cole’s “I Don’t Care” 1

Dance · Film
I love everything about this amazing, high-spirited dance sequence choreographed by Jack Cole for The I Don’t Care Girl (1953). “I don’t care. I don’t care. What people think of me. I’m happy, go-lucky, men say that I’m plucky, so jolly and carefree!” From the first frames — the camera shooting upward through a mirror ...