This week! Ailey Company in two rich, vital programs at The Music Center

Dance
sacred songs, matthew rushing
photo: paul kolnik

We’re spoiled rotten! Springtime at the Los Angeles Music Center brings an annual visit of our resident dance company, no less than Alvin Ailey American Dance Theater. “Gorgeous,” “stellar” and body-beautiful” does not begin to describe the dancers of this historically important dance company, a beacon of Black excellence and pride. (Parenthetically, AAADT has always been a mixed-race dance company.)

This year, the company presents two different programs. Go shopping here, and good luck making your decision!

  • Program A includes the L.A. premieres of Sacred Songs (2024), choreographed by Los Angeles native Matthew Rushing; Many Angels (2024), choreographed by Lar Lubovitch; and a restaging of Treading (1979), choreographed by Elisa Monte; Revelations (1960) choreographed by Alvin Ailey.
  • Program B includes a new production of Ailey favorites: Grace (1999), choreographed by Ronald K. Brown; Ailey Excerpts, choreographed by Alvin Ailey, comprised of excerpts from Pas De Duke (1976), Masekela Langage (1969)Opus McShann (1988), Love Songs (1972) and For ‘Bird’ – With Love (1984); Cry (1971); Revelations (1960) choreographed by Alvin Ailey.
    .
many angels, lar lubovitch
photo: paul kolnik

In May 2023, The Music Center, represented by CEO Rachel Moore, and Alvin Ailey American Dance Theater jointly announced the company’s commitment to perform in an exclusive Southern California residency for four consecutive years at The Music Center’s iconic Dorothy Chandler Pavilion, beginning with the 2023–2024 season of Glorya Kaufman Presents Dance at The Music Center. The multi-year residency is the first of its kind in The Music Center’s 61-year history.

“This season we celebrate the lineage and legacy of Alvin Ailey (1931-1989) and Judith Jamison (1943-2024), who paved the way for the extraordinary artistry of today’s choreographers and dancers,” said Interim Artistic Director Matthew Rushing. “As I return to my hometown with the Company for inspiring performances, I reflect on my unexpected journey since seeing Ailey for the first time as a student in Los Angeles – the same city where a young Alvin Ailey discovered the life-changing power of dance.”

I like both programs, to tell the truth. The jazz content of program “B” attracts me, with scores by Duke Ellington, Hugh Masakela, and Charlie Parker. But neither would we miss a world premiere by Lar Lubovitch set to the music of Mahler and Matthew Rushing’s work, which in photos has a quintessential Ailey look, and is staged to music Ailey used in his original “Revelations” before it was trimmed to its current length.

Alvin Ailey American Dance Theater | Los Angeles Music Center’s Dorothy Chandler Pavilion | Apr 2 – 6

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Wheeldon’s wonderful world of Shakespeare: ‘The Winter’s Tale’ for ABT at Segerstrom

Dance

Springtime in Southern California brings big, full-evening ballets to Segerstrom Center for the Performing Arts in Costa Mesa. We last experienced Christopher Wheeldon’s work with American Ballet Theatre in his Like Water for Chocolate in 2023. Now again, the British choreographer draws inspiration from yet another literary source: a Shakespearean comedy: The Winter’s Tale in its U.S. premiere by American Ballet Theatre.

The Winter’s Tale is a cautionary dramatic exploration of the different types of love – between friends, between lovers, and between family members – and the consequences of not valuing or nurturing those connections.

Please enjoy a beautiful review of the ballet dating from 2014, in which our foreign correspondent, Candace Allen, reviewed The Royal Ballet’s initial staging of the work. Click on the image below for Candace’s review.

Wheeldon followed his successful career as a dancer for both the Royal Ballet and New York City Ballet, with a wide-ranging choreographic career including Tony Award winning work on An American in Paris and MJ, on Broadway two of his canon that draw on highly differing styles of dance.

The Winter’s Tale reunites Wheeldon’s creative team, scenic and costume designer Bob Crowley and composer Joby Talbot, with the world-class dancers of American Ballet Theatre.

photocredit: Hee Seo and Isaac Hernández, THE WINTER’S TALE, Quinn Wharton, for ABT.

For ABT’s The Winter’s Tale casting of principal roles, click here:
Thursday, April 3 at 7:30 PM 
Aran Bell* (Leontes)
Devon Teuscher* (Hermione)
Catherine Hurlin* (Perdita)
Carlos Gonzalez* (Florizel)
Cory Stearns* (Polixenes)
Christine Shevchenko* (Paulina)   
Saturday, April 5 at 7:30 PM
Aran Bell (Leontes)
Devon Teuscher (Hermione)
Catherine Hurlin (Perdita)
Carlos Gonzalez (Florizel)
Cory Stearns (Polixenes)
Christine Shevchenko (Paulina)
Friday, April 4 at 7:30 PM
Herman Cornejo* (Leontes)
Cassandra Trenary* (Hermione)
Skylar Brandt* (Perdita)
Jake Roxander* (Florizel)
James Whiteside* (Polixenes)
Claire Davison* (Paulina)    
Sunday, April 6 at 1:00 PM
Herman Cornejo (Leontes)
Cassandra Trenary (Hermione)
Skylar Brandt (Perdita)
Jake Roxander (Florizel)
James Whiteside (Polixenes)
Claire Davison (Paulina) 
Saturday, April 5 at 2:00 PM
Isaac Hernández* (Leontes)
Hee Seo* (Hermione)
Isabella Boylston* (Perdita)
Joseph Markey* (Florizel)
Thomas Forster* (Polixenes)
Courtney Lavine* (Paulina) 

The Winter’s Tale, U.S. Premiere | American Ballet Theatre | Segerstrom Center for the Arts | Apr 3 – 6

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Dance
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Film · Reviews
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