Nicholas Brothers ballistic on silver screen 1
Joy to the world, the place to be at 4:30 this afternoon was the balcony of the Egyptian Theater, a spot that offered prime viewing, on opening day of CINECON Classic Film Festival, of DOWN ARGENTINE WAY (1940). The über-fun Betty Grable/Don Ameche technicolor south-of-the-border extravaganza from 20th Century-Fox was Grable’s first headlining role at ...
Koehler on Cinema: When Losey Went Pinteresque 1
At the center of Harold Pinter and Joseph Losey’s “The Servant” (opening Friday at Laemmle’s Royal) is how wonderful—no, how scrumptious—it is to watch James Fox’s sniveling, weakling upper-class gent brought down and subverted by Dirk Bogarde’s all-seeing, smirking house servant. Pinter’s name precedes Losey’s in the first sentence for a few reasons. One has ...
Chakiris, a cut above the rest 1
The camera catches a gang of gypsies rehearsing, in 1958, at New York’s Winter Garden theater before shipping overseas to perform in West Side Story’s second cast in London. Front and center is “West Side”s choreographer Jerome Robbins, running the “Cool” number with its inimitable finger snaps. Foremost in this group, a cut above the ...
Marian the Librarian to tell all at CINECON 1
Aug
26
2013
We just learned that the lovely Academy-Award winning actress Shirley Jones will be honored at the 49th annual Labor Day-weekend event, Cinecon Classic Film Festival. The five-day foray into classic film-mania — with an accent on rarely seen movies and silent film — that hook or by crook rolls out annually at summer’s end for ...
Koehler on Cinema: Clips
UCLA Film Archive’s edition of the traveling retrospective of Pier Paolo Pasolini (minus my favorite Pasolini, his oh-so-naughty n’ nasty “Teorema”) is rounding the corner and heading for home. If you haven’t caught up with the late 20th century’s most ribald filmmaker-poet recently, there are these three wildly divergent works to explore: From the final ...
Koehler on Cinema: Wong Kar-Wai’s “The Grandmaster” 3.0
For the second time in a few weeks, a film with more than one director-approved cut is being released. Stranger things have happened, but right now, I can’t think of one. Similarities: In both cases, the version with the shortest run time is the one making it to theaters; the filmmakers’ various editions are artistically ...
Koehler on Cinema: Elmore Leonard’s True West
The sad news of Elmore “Dutch” Leonard’s death this morning has prompted too many news headlines linking him almost equally with his novels and the movies adapted from them—despite the fact that he openly, caustically and hilarious demoted most of the adaptations. Leonard happens to have had several of his books translated to the big ...
Koehler on Cinema: Love in Texas, Wandering in Vienna
Los Angeles—like all American cities—tends to get so few of the exceptional films from the international festival circuit that when two arrive in the same week, it’s worth paying attention. The fact that most moviegoers aren’t aware of the tiny slivers they’re getting from the huge festival pie is an issue by itself, another story ...
Catskills University, educating Jewish comics 2
Oh pure pleasure to watch these guys — and a few very brave women, Totie Fields and Joan Rivers — spiel, kvetch and kill in WHEN COMEDY WENT TO SCHOOL. A wonderful new documentary opening Friday at Laemmle theaters spools a nostalgic tour of a sweaty swathe of summertime civilization — the erstwhile Borsht Belt, a ...
Koehler on Cinema: The Act of Killing Original Movies 2
It’s a familar Los Angeles dilemma. Great movie opens in ultra-limited release to rave reviews. It runs a week (at best, two), then dies. If it hasn’t happened a dozen times, it’s happened a hundred, maybe a thousand. Major, groundbreaking work by our finest living filmmakers, from Apichatpong Weerasethakul to Lisandro Alonso to Kelly Reichardt ...