David beats Goliath in “Dallas Buyers Club”
Malcolm Gladwell’s new book, “David and Goliath,” arrives at the same moment as “Dallas Buyers Club.” Sometimes there’s harmonic convergence in the culture. Gladwell describes several cases of underdogs discovering their untapped strengths or advantages. “Dallas Buyers Club” takes Gladwell’s thesis into the stratosphere of high entertainment, tracing the incredible but true story of Texas ...
Koehler on Cinema: Clips
A new James Benning movie is enough news in itself and enough for a simple request: Just stop everything and see it. Now, Benning’s “Nightfall” (Los Angeles Filmforum, Spielberg Theatre at the Egyptian, Sun. 7:30 p.m.) isn’t exactly new. It was digitally shot in 2011 in the Sierras, near his property where he built exact ...
Brando’s bead on jazz in “The Wild One” @ L.A. Jazz Institute festival
We so enjoyed the opening-night concert of “Jazz Themes from Hollywood: West Coast Jazz at the Movies,” a four-day festival sponsored by the LA Jazz Institute now going on in a big subterranean ballroom at the LAX Marriott hotel. The concert paid tribute to the film music of Shorty Rogers and Leith Stevens, alternately composers ...
Around the world with Enzo Avitabile
One of globalization’s least noted benefits has been the rise of world music, led by a motley crew of legends ranging from Peter Gabriel and Mickey Hart to Djivan Gasparyan and Enzo Avitabile. Drums and frets form the basis for the cross-cultural exchanges, even though an artist like the Naples-born Avitabile is a singer and ...
“The Counselor” is out of order
The death of Elmore Leonard in August (I wrote about his legacy here) and the arrival of the movie,“Salinger,” provided a useful contrast between two utterly opposed writing careers: J.D. Salinger, self-consciously “literary” and perfectionist; Leonard, happily disobedient to literary niceties, prolific and cool. “The Counselor,” the first original screenplay of Cormac McCarthy — regarded ...
Friday night tights 2
On a Friday night, one guy puts on his tights. Directed, written, produced, edited by: Joonki Park A winner in the Canadian Film Centre‘s “Shorts Nonstop” competition. Thank you, Ian Birnie, for the share.
“Lost” keeps Redford afloat
This is the season for critics going all nutty, overrating what’s not so good (“12 Years a Slave”) as great, and what’s good—like writer-director J.C. Chandor’s second feature, “All is Lost”—into something amazing. Some critics, such as Mary Corliss, have suggested that “Lost,” given its near-absence of dialogue and focus on a single character, is ...
Strange body art of “12 Years a Slave” 2
Unlike his socially and racially acute art, Steve McQueen’s movies bring out something strange in him. His first film, “Hunger,” carried an overwhelming emotional wallop in its graphic depiction of imprisoned IRA fighter Bobby Sands’ 1982 hunger strike. It went too far, but in good ways—the ways strong art always goes too far. His next, ...
Koehler on Cinema: Clips
It may well be, as one Los Angeles cinephile said to me last week, “the year’s most important film series.” UCLA Film Archive’s “A Century of Chinese Cinema,” unlike the archive’s recent survey of contemporary Chinese cinema curated by former archive programmer Cheng-Sim Lim and REDCAT film series co-director Berenice Reynaud, takes a more historical ...
Koehler on Cinema: The Jia “touch”
The Fifth Generation of Mainland Chinese filmmakers who emerged in the 1980s, such as Zhang Yimou and Chen Kaige, began their careers as rebellious independents, but have settled for roles as state-approved makers of harmless epic period pieces like Zhang’s “The Flowers of War.” (To seal his official bona fides, Zhang masterminded the ultra-nationalist Beijing ...