The two Georges: Balanchine & Chakiris
Okay, it’s a stretch! But bend-and-stretch is what dance is all about, isn’t it? Still, we were delighted to trip upon an amazing comparison, in a book review/essay by one of our premier dance writers, Joan Acocella. Publishing in The New Yorker magazine (“Balanchine Teaching” January 11, 2017), the critic/dance historian, in describing George Balanchine’s ...
Dance & film co-mingle for a happy 2017
We’re ringing in a Happy New Year with a movie friend, Rudolf Nureyev, who stars in the Ken Russell biopic, “Valentino” (1977). Nureyev looks smart, doesn’t he, in his tuxedo pictured (above) alongside his festooned co-star, actress Carol Kane. But I also enjoy seeing Rudi sans tux — casbah-style — putting the iron grip on ...
Seeking Jack Cole at the Rainbow Room
It was a lovely holiday event, a swellegant affair. First Republic Bank of New York, generous supporters of myriad arts organizations, threw a reception at the Rainbow Room high atop Rockefeller Center. Rocking the Room were the Fat Afro Latin Jazz Cats, whose youthful big-band sound boomed beneath the clatter of cocktailers while the crazy ...
Busby Berkeley brings it to Bette Davis in ‘Fashions of 1934’
A great dance movie starring Bette Davis. Who knew? Apparently Film Forum director of repertory programming, Bruce Goldstein, did. He programmed FASHIONS OF 1934, smart and smashing in a 35mm print and preserved by Library of Congress, as part of Film Forum’s recent nine-day Busby Berkeley festival. It’s a really good movie, well acted and ...
Jack Cole’s nightclub act: a talk by Debra Levine Oct 25
A review headline screamed, “Cyclone Hits Slapsy Maxie’s.” The performance? Jack Cole and His Dancers at the Wilshire Boulevard supper club in 1948. In the house: Frank Sinatra, Robert Walker, Jimmy Durante, Lucille Ball, Judy Garland, Gene Kelly, Jimmy Dorsey, Max Baer. Also attending, according to the review, “Bullets Durgom still without a toupee.” Cole ...
Why and when Ethel Martin started wearing hats
Yet another delicious show-business nugget from the plain-spoken Jack Cole dancer Ethel Martin, courtesy of the New York Public Library of the Performing Arts: So out of working for Jack [Cole] at the Casa [the Casa Manana, Billy Rose’s night club] , Jack held auditions for Something for the Boys. He took me. He didn’t ...
‘Showgirl’ dances once more, at Film Forum
In 1928 Alice White, First National Pictures’ blonde answer to Clara Bow, starred in the movie musical Show Girl. She plays Dixie Dugan, an aspiring dancer who fakes her own kidnapping as a publicity stunt. Based on popular writer J.P. McEvoy’s Dixie Dugan character, Show Girl was the first starring vehicle for White. Long thought ...
How Eugene Loring ‘got sold’ on working for producer Stanley Kramer 1
Fascinating commentary from dance maker Eugene Loring who choreographed the whimsical The 5,000 Fingers of Dr. T, a Dr. Seuss-derived cult movie dating from 1953. Loring, the creator of “Billy the Kid” ballet for American Ballet Theatre and founder of Hollywood’s American School of Ballet, ports impressive film credits that include Ziegfield Follies (1945), Yolanda ...