Millepied’s disjunctive ‘I fall…’ exposes choreographer’s weakness
L.A. Dance Project, disjunctive, disconnected, photo by l.a. dance project A harrowing drive across dark, slick, and unmarked Washington Boulevard in pelting rain went unrewarded by enduring Benjamin Millepied’s “I Fall, I Flow, I Melt,” a 75-minute, intermission-less dance performance by L.A. Dance Project performed in the round at the company’s newish headquarters named for ...
‘When I say freedom, you say jazz’: JazzAntiqua @ 25
Folk flooding toward the theater half an hour before showtime gave the first indication that something special was on tap at the Nate Holden Performing Arts Center on Saturday night. In Los Angeles, traffic-frazzled late arrivals are the norm. The faithful flocked to a special, nearly familial, celebration: JazzAntiqua Dance & Music Ensemble‘s big 25th ...
Balanchine goes global in City Center festival
The elegant brochure and historical resonance of Balanchine: The City Center Years generated great promise as a highly anticipated event marking the 75th anniversary of midtown Manhattan’s richly dance-historic theater. The six-performance festival (Oct 31 – Nov 4, 2018), which showcased an array of landmark Balanchine works performed on the stage where nearly all had ...
REVIEW: Heidi Duckler Dance’s fully ‘Loaded’ dock-dance at the Ford
A distant, pulsing whir of ambient music accompanies the sight of a peculiar, tall figure as he rambles toward us. We spy him (or is it a she?) through the half-closed gate (or it a gate ‘half-open’?) at the John Anson Ford Amphitheatre’s loading dock. This creature, dressed in unisex coveralls like a hip garbage ...
Review: Dogged drills by Djordjevich @ REDCAT’s NOW series
An interesting time, last weekend at REDCAT, watching “CORPS,” a work by post-post-minimalist choreographer Milka Djordjevich featured in the second week of the theater’s well established New Original Works (NOW) series. As a young woman in New York, I performed in the dance company of second-generation minimalist Grethe Holby, an alumnus of Laura Dean’s original ...
Review: ABT’s Misty·fying ‘La Bayadere’ disappoints 3
Let’s start at the end: During curtain calls at American Ballet Theatre’s “La Bayadère” Friday night at the Dorothy Chandler Pavilion, ballerina Isabella Boylston gave her bouquet to her partner Jeffrey Cirio with a deferential flourish. Then, in a strange, gender-bending moment, she and third lead Misty Copeland curtsied, and curtsied some more to Cirio, ...
REVIEW: Liza Minnelli, Michael Feinstein enchant at Segerstrom 5
I never saw Judy Garland in performance. I was fifteen in 1969 when she last played in Copenhagen. Now I wish I had gone. But Saturday night, I got a frisson of that Garland feeling, when in a first, I attended Liza Minnelli’s show at Segerstrom Center for the Arts. The legendary singer delivered a ...
A neighborly day in this beautywood with Fred Rogers
All that was missing was my blankie and a pacifier. Then I would hunker down all night with “Won’t You Be My Neighbor,” the latest documentary from Morgan Neville. Neville, whose Twenty Feet from Stardom shone a thrilling light on the unheralded talent of backup singers, in this new doc shifts focus to yet another ...
La vache! French moooo-vies with cows @ COLCOA
Fans of French movies are familiar with seeing scenes from the nation’s rural paysage, the countryside to which Parisians repair for weekends and summer holidays. The usual trope is the stone country-home where, seated ’round big outdoor tables, city dwellers slurp soupe, quaff wine, and discuss in non sequitors the meaning of it all. There they ...
REVIEW: ‘A Raisin in the Sun’ @ A Noise Within
When A Raisin in the Sun was first performed on Broadway in 1959, it became a landmark. Playwright Lorraine Hansberry was the first African-American woman to author a Broadway play, and at 29, she became the youngest playwright to receive New York Drama Critics Circle Award for Best Play. While the setting of the piece ...