Musical melange: ‘Moulin Rouge’ at Pantages
It packs a wallop. But gosh, getting walloped this way is so much fun. I experienced a nearly constant state of joy witnessing the ballistic pageant of song, dance, and bombast better as Moulin Rouge: The Musical, now on at the Pantages Theater in Hollywood. Not since the ornate theater’s vaudeville days has its gilded ...
REVIEW: ‘La Binoche’ swaps partners, melts down, in ‘Both Sides of the Blade’
Why does a movie stick in your head and haunt you for days after viewing? That was my experience with director Claire Denis’ latest, BOTH SIDES OF THE BLADE (2022), opening in theaters July 8 and streaming July 23. It surely has to do with the shattering intimacy of Juliette Binoche‘s beautifully modulated performance as ...
‘Apples’: clever Greek film probes universal pandemic experience
Who among us has not suffered mal-effects of isolation and removal from normal public existence in the aftermath of a two-year pandemic shutdown? Episodes of confusion, mixing the days of the week, forgetting appointments, losing and misplacing objects. These obfuscations are happening way too often as we reconstitute our lives prior to COVID-19. The profundity ...
REVIEW: Karole Armitage’s ‘A Pandemic Notebook’ at New York Live Arts
photo: julieta cervantes There they were, two luminaries of the 1980s NYC dance scene, facing us 40 years later, Karole Armitage and Jock Soto, in simple black and grey outfits. Armitage got everyone’s attention with Drastic Classicism (1981), a fierce, high-gloss, visually and sonically arresting work that shook up ballet conventions with outrageous costuming and ...
REVIEW: Back to New York City Ballet — with sets and intermissions!
isabella lafreniere, jovani furlan christopher wheeldon’s DGV: danse à grande vitesse Scenery! Intermissions! One takes these for granted – or used to. But experiencing them as part of New York City Ballet‘s opening night marked another step toward normalcy, after the company’s fall repertory season consisted of intermissionless programs featuring ballets that require no time-consuming ...
‘S.O.S.’ cries Diavolo’s timely ‘The Veterans Project’ 1
photo: george simian When Jacques Heim, founder/choreographer/director of Diavolo Dance Theater and one of the most consistently engaging of Los Angeles creative talents, launched The Veterans Project in 2016, hearing of it, I thought of it as an ambitious and laudable community outreach program. Partnering with the “V.A.,” the Veterans Administration, Heim and his dancers ...
Review: ‘Ailey,’ the choreographer, the man, the figurehead, in PBS American Masters doc
The opening moments of Ailey—Jamila Wignot’s deeply rewarding documentary about Alvin Ailey’s life, work and company—show the choreographer receiving a huge ovation as a Kennedy Center Honoree. Cicely Tyson speaks movingly about the depth of his achievements; his company performs a fervent finale from Revelations as he takes evident pride in watching them. Ailey, 57, ...
Los Angeles, California, home to two choreographer-goddesses
Macaela Taylor, Danielle Agami It’s exciting. For awhile there, things were looking bad. We seemed to be losing the female voice in the contemporary dance space, as men, holding the reins of most operating companies, naturally meted out sparse commissions and jobs to guy-pals. Female dance leaders, critics and scholars sounded the alarm. Foundations, universities, ...
REVIEW: Julia Child, warbly kitchen warrior near to our hearts, in new doc
The Chinese philosopher Lao Tzu is ‘said’ to have said, “When the student is ready, the master will appear.” American homemakers didn’t realize it in the post-World War II decade, but Julia Child was the master they awaited – a down-to-earth cookery guru to guide them away from pre-made mixes, frozen variety trays, and the ...
What is this man thinking? Go see ‘Bad Luck Banging or Loony Porn’ 2
Radu Jude, director of BAD LUCK BANGING OR LOONY PORN Photo credit: Silviu Ghetie. Photo courtesy of Magnolia Pictures He resembles an Every Man, doesn’t he? Someone Bertolt Brecht might portray in a play — set in the good old days, the 1930s. He is the contemporary Romanian film director, Radu Jude, who, borrowing from ...