REVIEW: Karole Armitage’s ‘A Pandemic Notebook’ at New York Live Arts
by susan reiter
photo: julieta cervantes There they were, two luminaries of the 1980s NYC dance scene, facing us 40 years later, Karole Armitage and Jock Soto, in simple black and grey outfits. Armitage got everyone’s attention with Drastic Classicism (1981), a fierce, high-gloss, visually and sonically arresting work that shook up ballet conventions with outrageous costuming and ...
Getting back to where we once belonged: Karole Armitage at New York Live Arts
When I perused a press release of the program choreographer Karole Armitage and her performance troupe, Armitage Gone! Dance, intend to present at New York Live Arts in March, it stunned me. She’s calling the evening of dances “A Pandemic Notebook.” But no one seems to have informed the now 60-something dance adventuress (yes, the ...
A dance thinker & do-er: Dana Caspersen
One of many, many highlights of being a Fellow, this fall, at The Center for Ballet and the Arts at NYU has been encountering the dancer/author Dana Caspersen. For three decades, Caspersen was a leading artist with Ballet Frankfurt and the Forsythe Company, and a primary collaborator of choreographer William Forsythe. As a dancer, she ...
‘She asks me why, I’m just a hairy guy’ 2
HAIR has roots in Hollywood, and we don’t mean hair roots. We mean theatrical roots. In 1968, the West Coast premiere production opened on Sunset Boulevard, just two blocks from the Pantages, about six months following the production’s Broadway opening. The Aquarius Theatre, re-named in honor of one of the show’s hit songs, would be ...