REVIEW: Under The Nicholas’s watchful eyes: Dance @ The Holden 1
Fayard & Harold Nicholas mural blesses Dance @The Holden The community feeling at the Nate Holden Center for the Performing Arts on Saturday night was so comfortable that at key moments, often in dead silence, an infant in the house gave salient dance shout-outs. It was the second evening of ‘Dance@The Holden,’ a mini-festival curated ...
REVIEW: ‘Rise’: dance film earnestly misses its pointe
The French film En Corps, curiously translated as Rise and presented by Blue Fox Entertainment, is a well-made, earnest, and thoroughly innocuous movie. It will interest anyone who watched Natalie Portman in Black Swan and railed to the heavens, “Why didn’t they cast a real dancer in the role!?” This new film will more than ...
REVIEW: Paul Taylor repertory a miss in Music Center dance-season opener 2
Who signed off on the venerable Paul Taylor Dance Company’s repertory-mix shared with fans at the Los Angeles Music Center this weekend? What should have been a joyous Los Angeles reunion with one of the nation’s longest-lasting dance companies (it dates from 1954!) felt like modern-dance homework. This show, in its totality, did not connect. ...
How to blow up a pipeline – and blow your mind
What end justifies the means? If the end is radical environmental change and the survival of our planet, can violence be justified? In actions against private property, what if life is lost? How To Blow Up a Pipeline, the new eco-political film from Neon, directed and co-written by Daniel Goldhaber (whose last film was the ...
A sculptor’s inner life: Michelle Williams in Kelly Reichardt’s ‘Showing Up’ 2
I was entranced by the generically titled, but otherwise awfully good example of ‘slow cinema,’ Showing Up, directed by down-to-earth filmmaker Kelly Reichardt. This movie, opening April 7, is made by a woman artist; it concerns a woman artist, who is played by Michelle Williams, one of the foremost actresses of our time, in her ...
Charming ‘Moving On’ cast has celebratory premiere-party
the great lily tomlin The new comedy from Roadside Attractions, produced, written, and directed by Paul Weitz (About a Boy; executive producer of Pinocchio) concerns Claire (Jane Fonda) and Evelyn (Lily Tomlin), two estranged friends who meet at the funeral of a third. The two ladies cart decades of baggage — and its not by ...
REVIEW: ‘Champions’ wins at ‘all the feels’
As a feel-good movie, Champions, the winsome new basketball comedy directed by Bobby Farrelly and starring Woody Harrelson, does its job; it consistently dispenses good feelings. Presented by Focus Features with a screenplay by Mark Rizzo, it’s a remake of the celebrated 2018 Spanish film Campeones by Javier Fesser. This American version (I have yet ...
Sunday evening at the Pasadena Playhouse with Seurat & Sondheim
a sunday on la grande jatte — 1884, georges seurat Can you accept a gift? Then give yourself one, and ticket up for Sunday in the Park With George — the first main-stage production of Pasadena Playhouse‘s six-month festival celebrating Stephen Sondheim. The theatrical genius whose pedigree connects him directly to the great, preceding generation ...
REVIEW: Aaron Copland meets the 21st at New York City Ballet 1
Megan Fairchild, Roman Mejia, center. From left, Emilie Gerrity, Jonathan Fahoury, Daniel Applebaum, Isabella Lafreniere. photo: Erin Baiano There is so much that is invigorating and innovative about Copland Dance Episodes, Justin Peck‘s major new full-evening work for New York City Ballet in its world premiere on January 26. Yet it also connects with, and ...
REVIEW: Cécile McLorin Salvant’s singular jazz style, at Royce Hall
While she’s no stranger to Southern California audiences, vocalist Cécile McLorin Salvant’s show presented by CAP UCLA’s Royce Hall on January 26 reinforced her status as a one-of-a-kind singer. Through her idiosyncratic artistry, willingness to indulge the moment, and her genial manner, Salvant charmed and thrilled the near capacity of Royce’s floor. In the broader ...