Upcoming: NEA classical music institute in NYC
Sep
25
2010
arts·meme is proud to announce her participation in the National Endowment for the Arts’s seventh Arts Journalism Institute in Classical Music and Opera, October 9 – 19 at Columbia University Graduate School of Journalism. The Institute is one of three NEA-funded programs that endeavors to reenforce the role that informed writing/criticism plays in a flourishing arts ...
Hendrix died forty years ago … 2
Sep
18
2010
… on Sept 18 1970. He was 27 years old. “I’m going to sacrifice something right here that I really love.” Watching this mesmerizing video from 1967 in which Jimi does just about everything possible with his guitar (the mentionables include playing blind and playing behind his back), it sets my standard for performance art. ...
First lady of nation recognizes first lady of dance
The freewheeling creativity that flourished in 20th century America spawned three indigenous art forms: film, jazz, and modern dance. The first two on this list (in descending order of magnitude), have functioned relatively adeptly in the market economy. Why? Because entrepreneurs recorded them on celluloid and disc, then packaged, promoted and distributed movies and records. Poor ...
Kyle Abraham makes it or breaks it
“I got really frustrated when a good song got ‘broken,'” says the soft-spoken young choreographer, Kyle Abraham, chatting over breakfast at Jacob’s Pillow this past weekend. “I’d call the station many times to vote in support [of cutting-edge music the audience didn’t like.]” During my three-day visit to the historic summer dance venue, I enjoyed ...
Love among the geniuses
Read this story on The Huffington Post. Two recent biopics portray the torrid love lives of great artists — one of our favorite subjects. First, Coco Chanel & Igor Stravinsky (2009), a chicly decorated French film about a purported love affair between the stern couturière and the equally rigorous modernist composer — all while Mme ...
John Waters celebrates Johnny Mathis
Sixties singer Johnny Mathis‘s name has popped up in surprising ways recently. DJ Josh Kun spun the velvet-voiced crooner’s version of “Kol Nidre” at “Get Down, Moses,” Kun’s Jewish/African-American “listening party.” Then, John Waters, the witty, loquacious, and dapper film director, cited Mathis as one of his key “role models.” It happened at an ALOUD ...
Skirball’s “Get down, Moses” listening party
The “listening party” — a groovy event in which cultural anthropologist Josh Kun spins discs to illustrate the complex historic relationship between African-American and Jewish popular music — had serious naming issues. Kun launched it as “Black Sabbath.” It got changed to “Go Down, Moses.” Then, some genius in the Skirball Center p.r. department tweaked ...
The satin sound of Johnny Mercer
While I was recovering from knee surgery, my buddy S.V. brought me recuperation DVDs — among them “The Dream’s On Me,” documentarian Bruce Ricker’s film homage to lyricist/composer Johnny Mercer. [The documentary, executive-produced by Clint Eastwood, airs from time to time on TCM.] Mercer, a tireless music maker of the highest order (by the way, ...
BODYTRAFFIC & Barak Marshall fete Israel’s 62nd 1
Haim Saban, the expatriate Israeli entrepreneur who made a bundle in the 1990s manufacturing Power Rangers, threw an amazing and generous party for L.A.’s Jewish community to celebrate Yom Ha’atzmaoot, Israel Independence Day, at his newly refurbished Saban (formerly the Wilshire) Theater. Everything nifty about Israeli culture — its youth, high energy, optimism, talent to ...
Meredith Monk, liberator of singers
Multimedia artist Meredith Monk, labeled avant-garde for her reducing of dance, music, and drama to their most basic and powerful elements, gave the great voices of the Los Angeles Master Chorale a remarkable gift: their bodies. Halfway through “Songs of Ascension,” the final work of Sunday evening’s Monk tribute, the singers circulated the stage of Disney ...