John Waters celebrates Johnny Mathis
Sixties singer Johnny Mathis‘s name has popped up in surprising ways recently. DJ Josh Kun spun the velvet-voiced crooner’s version of “Kol Nidre” at “Get Down, Moses,” Kun’s Jewish/African-American “listening party.” Then, John Waters, the witty, loquacious, and dapper film director, cited Mathis as one of his key “role models.” It happened at an ALOUD ...
Skirball’s “Get down, Moses” listening party
The “listening party” — a groovy event in which cultural anthropologist Josh Kun spins discs to illustrate the complex historic relationship between African-American and Jewish popular music — had serious naming issues. Kun launched it as “Black Sabbath.” It got changed to “Go Down, Moses.” Then, some genius in the Skirball Center p.r. department tweaked ...
The satin sound of Johnny Mercer
While I was recovering from knee surgery, my buddy S.V. brought me recuperation DVDs — among them “The Dream’s On Me,” documentarian Bruce Ricker’s film homage to lyricist/composer Johnny Mercer. [The documentary, executive-produced by Clint Eastwood, airs from time to time on TCM.] Mercer, a tireless music maker of the highest order (by the way, ...
Meredith Monk, liberator of singers
Multimedia artist Meredith Monk, labeled avant-garde for her reducing of dance, music, and drama to their most basic and powerful elements, gave the great voices of the Los Angeles Master Chorale a remarkable gift: their bodies. Halfway through “Songs of Ascension,” the final work of Sunday evening’s Monk tribute, the singers circulated the stage of Disney ...
Herr Haselboeck’s precarious perch 1
Musica Angelica’s Palm Sunday performance of St. John Passion at Santa Monica’s First United Methodist Church had us afloat in the infinite beauty of Bach’s musical soundscape. But it also had us glued to our chairs as Martin Haselboeck, the orchestra’s music director, balanced backwards on the edge of the stage conducting Bach’s massive score ...
Art, books, talk, music & life … @ ALOUD
It’s difficult to separate affection for the Library Foundation’s ALOUD series at Los Angeles Central Library from love of the library itself. The detailing in the original building’s grand rotonda, pictured at left, shows why. It’s gorgeous: where California Mission-style leaves off, art deco kicks in. ALOUD, the program of lectures, book talks, readings and performances ...
Leonard Bernstein meets Sharon Farber @ Pacific Serenades
Feb
23
2010
I’m looking forward to “Mixed Up World,” the aptly titled upcoming performance by Pacific Serenades. I wrote previously on arts•meme about the 24-year-old chamber music society’s premiere of a work by jazz pianist Billy Childs. Pacific Serenades’ mission is to present newly commissioned chamber works alongside standard repertoire in intimate concert settings. Here’s an impressive list ...
Herb Alpert @ Disney Concert Hall
Herb ‘n Lani Bringing his cool and laid-back vibration to Disney Hall’s golden circle of sound Friday night was Herb Alpert — leading a five-piece combo in a freewheeling but tightly professional rendering of the American songbook. The ever-handsome, now grey-haired Los Angeles homeboy interspersed jazz standards — Fascinating Rhythm, Paper Moon, Let’s Face the Music and Dance, Laura ...
Satchmo sings “Stardust” 1
Jan
25
2010
This nattily dressed young man is Louis Armstrong, age 30. The photo was taken in 1931, the same year in which Armstrong made his groundbreaking recording of Hoagy Carmichael’s plaintive “Stardust.” Here Carmichael plays his own great song. Here’s Nat King Cole. Now here’s Satchmo. Armstrong was by then an experienced Chicago musician, and the ...