In last night’s “Emmys” dance number, gloved arms by Jack Cole 1
Sep
23
2013
In last night’s Emmy broadcast, dance maker Spencer Liff opened his “Number in the Middle of the Show,” with a filip right out of Jack Cole’s playbook: black opera-length gloved arms reaching through holes in a wall … a distinctive design element that Cole used repeatedly. Below, he uses it in “Tars & Spars” (1946) ...
Choreographers move “on camera” at Sunday’s Emmy award show
Sep
20
2013
In an historic first, the Emmy Award for Outstanding Choreography (nominees here) has been moved to the Primetime Emmys, that is, the on-air show, widely broadcast this Sunday evening, giving the art of choreography yet another creative boost in Hollywood. In past years, the choreography Emmy has been presented during the “Creative Arts” Emmys the ...
Dance historian Nancy Reynolds to be recognized with Bessie Award
It is with great personal delight that I share the wonderful announcement that the New York Dance and Performance Awards (The Bessies) will honor dance historian Nancy Reynolds with the 2013 Bessie Award for Outstanding Service to the Field of Dance.The ceremony will take place on Monday, October 7, at the Apollo Theater in New ...
George Chakiris, choreographer’s assistant for Judy Garland’s 1956 Vegas revue 2
An amazing zoom back in time with George Chakiris, who is not only Hollywood dance royalty but a gifted actor and recording artist. George, who celebrates his birthday today, worked with major talent over his long career in stage, film, television and nightclub. He shared memories of assisting choreographer and dance-director Robert Alton in staging ...
Rod Alexander’s “The Birth of the Blues” dance number rediscovered 3
Please, please God, don’t let the world blow up before Sunday night. Because Sunday night at 9 pm, I get to see choreographer Rod Alexander‘s brilliant dance number, “The Birth of the Blues” from THE BEST THINGS IN LIFE ARE FREE (20th Century-Fox 1956), at CINECON Classic Film Festival — in a new 35mm print, ...
Nicholas Brothers ballistic on silver screen 1
Joy to the world, the place to be at 4:30 this afternoon was the balcony of the Egyptian Theater, a spot that offered prime viewing, on opening day of CINECON Classic Film Festival, of DOWN ARGENTINE WAY (1940). The über-fun Betty Grable/Don Ameche technicolor south-of-the-border extravaganza from 20th Century-Fox was Grable’s first headlining role at ...
Chakiris, a cut above the rest 1
The camera catches a gang of gypsies rehearsing, in 1958, at New York’s Winter Garden theater before shipping overseas to perform in West Side Story’s second cast in London. Front and center is “West Side”s choreographer Jerome Robbins, running the “Cool” number with its inimitable finger snaps. Foremost in this group, a cut above the ...
BYOB: Diavolo brings bowl to the Bowl
The Hollywood Bowl’s historic band shell, the object of community affection as well as architectural dispute over the years, gets an ultimate homage when Diavolo Dance Theater installs its own version, a huge fiberglass replication, on the huge stage. It’s part of the September 5 world premiere of “Fluid Infinities,” performed by the architectural movement ...
Oscar was a dancer 2
This amusing photo of Oscar-winning dancer George Chakiris (Best Actor in a Supporting Role, “West Side Story,” 1962) and dance critic Debra Levine taken by Dana Ross last Saturday night at “Oscars Outdoors” sparked an email from Hollywood dance expert Larry Billman. Writes Larry, “The “original Oscar” was a dancer named Emilio Ferandez who modeled ...
At “Oscars Outdoors,” gentlemen still prefer blondes 1
It was a super-special 60th anniversary screening, at the Academy of Motion Picture Arts & Science’s “Oscars Outdoors” summer series, of 20th Century-Fox’s comic classic from 1953, “Gentlemen Prefer Blondes,” the movie that blasted off the career of Marilyn Monroe. And the flick’s funnier than ever. Lead actresses Monroe and Jane Russell zing out hilarious ...