Los Angeles, California, home to two choreographer-goddesses
Macaela Taylor, Danielle Agami It’s exciting. For awhile there, things were looking bad. We seemed to be losing the female voice in the contemporary dance space, as men, holding the reins of most operating companies, naturally meted out sparse commissions and jobs to guy-pals. Female dance leaders, critics and scholars sounded the alarm. Foundations, universities, ...
REVIEW: Simmering with Ate9 dance company at The Wallis
“Let it simmer.” With those words, the music savant Michael Jackson directed his band in This Is It, a documentary capturing his final, unrealized rock concert. MJ’s instrux came to my mind while watching the dance splendor choreographer Danielle Agami unveiled at the Wallis Annenberg Center for the Performing Arts this weekend. The Israeli-born Los ...
‘Hopscotch’ing through the Bradbury Building
Photographic memories of “Hopscotch,” a rolling (literally, in cars), city-wide site-specific opera performance that in one of its home bases — the regal Bradbury Building of downtown Los Angeles — dancers scampered ’round audience, even in a wrought-iron caged elevator. Intermingling in the photo with crew from The Industry are the dancers of Ate9 Dance ...
A chat with The Broad Stage’s new director Wiley Hausam
Prominent in the crowded field of Los Angeles performing-arts houses is The Broad Stage, where a lively smorgasbord of arts offerings forged a high-profile presence since its debut — in an enviable Santa Monica location — in 2008. Wiley Hausam, a newcomer to Los Angeles, will soon take up the mantle of artistic and executive ...
Review: Under pink clouds, Music Center’s “Moves After Dark”
Dance critic Gillian Anne Renault contributes this review to arts·meme: As grey clouds turned pink Monday evening and a cool breeze dimpled the Mark Taper Forum pool, a powerful alto voice quieted the crowd for Moves After Dark, The Music Center’s inaugural, site-specific, mainly outdoor dance concert. The ambitious evening, well executed, proved a worthy ...
Review: Ate9 Dance & Fleck a pithy pairing @ REDCAT
“It’s the second night of the third week of the 11th year of the New Original Works festival,” announced Mark Murphy, executive director of REDCAT performance space Friday night in a pre-show greeting of his audience. Surveying the full house of folk who track with emerging performance art, Murphy’s flickering smile seemed to convey, “But ...
Danielle Agami, dancer 1
May
4
2014
Gobs of personal courage and febrile movement invention were on display in her choreography, last night, in “Mouth to Mouth” for Ate9 dANCEcOMPANY at the Los Angeles Theatre Center. But my biggest fascination — and pleasure — came from a close-up look at Israeli-born-and-trained Danielle Agami as a dancer. Coiling amidst her wonderful “Ate9” gang ...
Review: Danielle Agami’s “EXHIBITa” @ Celebrate Dance 2
Think of a Robert Crumb cartoon strip — in all its gnarly, grotesque glory. That roughly equates to watching the weird and wonderful foot-parade choreographer Danielle Agami sent across the Alex Theatre stage last night at the ninth annual “Celebrate Dance.” Agami’s “EXHIBITa,” chock-filled with witty movement invention in its Los Angeles premiere, offered the ...