Pasadena Museum of California Art goes to the beach

Visual arts
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Our winter is unusually wet and cold at the moment, making visits to our beaches prohibitive. The evocative exhibition at the Pasadena Museum of California Art, “In the Land of Sunshine: Imaging the California Coast Culture” (through February 19), will punch the emotional buttons of anyone who has sand in the shoes of their psyche. ...

A fond farewell to animator Hal Geer

Film
“Hal Geer, my great mentor at Warner Brothers Animation, has passed away at age 100,” writes Geer’s fellow animator Jack Enyart in a recent e-newsletter. As Enyart recalls, “I was in my 20s when Hal brought me into the department. On his desk, each time he faced me with his sly Bugs Bunny grin, rested ...

REVIEW: No)one. Art House presented by Saint Heron

Dance
There was nowhere to park – zero spots – at Friday evening’s Immersive Dance Theater by No)One.Art House, an event sponsored by Saint Heron at an off-the-beaten track performance space in West Adams.   And yet, scores popped up in the residential neighborhood, dropped by Uber or carpool. Once inside purchasing cocktails, the attendees, mostly ...

Review: Toba Khedoori, detailed draftswoman, at LACMA

Visual arts
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If you love drawing, please run, don’t walk, to see LACMA’s exhibition of Toba Khedoori’s work through March 19. It covers two decades of the Los Angeles artist’s practice with 25 stunning works. Usually drawings would be dwarfed by the voluminous spaces of the BCAM building, but Khedoori’s manage to occupy the space beautifully. That ...

Exhibit spawns critical reassessment of West Coast-rooted pioneers of post-modern dance

Dance · Visual arts
The place to be in the dance world this past weekend was splendiforous Santa Barbara, California, for the opening of “Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955-1972,” an exhibit at UC Santa Barbara’s AD&A Museum. Offering toasts, in photo above, to five years of research and writing, ...

‘Radical Bodies’ in California exhibit and on the streets of New York

Dance · Ideas & Opinion
Politics was not the intended focus of the day-long conference that opened “Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955-1972,” an exhibit at UC Santa Barbara’s AD&A Museum. Art was. The hugely instructive exhibit unearths and traces the influence on American modern dance of three groundbreaking, bi-coastal dancer/choreographers. ...

Postcards from the beyond

Film
Carrie Fisher is gone. Debbie Reynolds is gone. Mike Nichols is gone. But on Thursday February 2 those dearly departed will send us a postcard from the beyond. A nice ‘homage’ screening of Nichols’s “Postcards From the Edge” (1990) at the Aero Theatre in Santa Monica. Carrie Fisher adapted her semi-autobiographical best-seller about an actress ...

Meg Stuart: female brutalism tinged by vulnerability

Dance
At left, a portrait of the expatriate choreographer Meg Stuart who is visiting Los Angeles this week. Her bravura solo, “Hunter” will be  performed at REDCAT this weekend. Many choreographers in Los Angeles will find Meg fascinating and real. I am personally very attracted by her distinctive brand of female brutalism — mixing raw emotion ...

Breathy new work by Lionel Popkin soon at Skirball

Architecture & Design · Dance
This looks like fun — and we’re big on fun. But in the hands of whimsical choreographer Lionel Popkin (he’s chair of the Department of World Arts and Cultures/Dance and professor of choreography and performance at UCLA) this pumped-up pagaent portends much more. “Inflatable Trio,” choreographed by Popkin and built on human breath, will soon ...

The two Georges: Balanchine & Chakiris

Dance · Film
Okay, it’s a stretch! But bend-and-stretch is what dance is all about, isn’t it? Still, we were delighted to trip upon an amazing comparison, in a book review/essay by one of our premier dance writers, Joan Acocella. Publishing in The New Yorker magazine (“Balanchine Teaching” January 11, 2017), the critic/dance historian, in describing George Balanchine’s ...