Life is good …
Dec
26
2009


… now that there's a new Pedro Almodovar film, "Broken Embraces." Highly recommended. The maestro strikes again. Vive Almodovar! Read A.O. Scott's inspired film review.
Say a dance prayer for Gene Kelly in Pittsburgh 2


Come on, home town! What’s this I hear about twenty years of fruitless effort to erect a statue of dancer Gene Kelly — in a city where bridges, steel mills, skyscrapers, and sports stadia get built with ease? In a recent Pittsburgh Post-Gazette article, retired entertainment columnist Barbara Cloud gripes that she’s grown despondent waiting ...
Mike and Julia 4


After immensely enjoying the Nora Ephron film, “Julie and Julia,” I remembered that decades ago my father, Mike Levine, interviewed Julia Child on his talk show on KDKA, Pittsburgh’s 50,000-watt AM radio station. My dad, who during the “Madmen” era looked, dressed, and smoked like Don Draper, interviewed everyone — from his days as a ...
“La Danse” discount tix 2


Laemmle Theaters in Los Angeles offers arts•meme subscribers a generous discount for “La Danse,” Frederick Wiseman’s acclaimed ballet documentary. Film is now playing at Laemmle Theaters in Beverly Hills, Pasadena and Encino. Read the interview with director Frederick Wiseman. Update: Sorry, no more discount coupons. This once in a lifetime opportunity has expired! Maybe in your ...
Frederick Wiseman’s love letter to ballet 5


“I love ballet,” admits 79-year-old documentarian Frederick Wiseman, whose rigorous films on hospital management, meat processing, and public housing have given way to late-life examinations of art and the artistic process. “Dance is the creation of something absolutely beautiful,” he says. “Yet it’s not a fixed form. It’s ephemeral. It’s evanescent.” “I’m no expert,” he ...
A slice of Lewis Klahr’s life


“Cake equaled love in my family,” said filmmaker Lewis Klahr following a cinematic magical mystery tour of his childhood memory bank. I understand this statement. I also get the intense spewing of fetishized objects — artfully collected, cut and pasted, and then animated — in Klahr’s amazing films. Critic J. Hoberman in the Village Voice ...
Red hair, red shoes 2


I recently attended a screening of The Red Shoes, the 1948 Michael Powell/Emeric Pressburger classic lovingly restored by UCLA Film and Television Archive, Martin Scorsese’s Film Foundation, British Film Institute, and others. This film’s huge blast of technicolor transforms red-headed Moira Shearer into an unspeakably firey, unearthly creature … her neat figure, fair complexion, and carrot top ...
Ballerina’s beautiful beach birthday bash 1


Last year I wrote an article about former New York City Ballet ballerina Yvonne Mounsey coaching a young dancer, Melissa Barak, in the lead role of George Balanchine’s “Prodigal Son.” Mounsey danced the role in the early 1950s. By all accounts, she was an amazing, full-blooded dancer. She went on to become a great ballet ...
Yvonne Rainer, filmmaker 1
As a dance writer, I approached Yvonne Rainer, filmmaker, with trepidation. But she is as highly regarded in the experimental film world as she is in dance. My apprehension was for naught having attended the first of an eight-part retrospective of Rainer’s film work at the L.A. Filmforum at the Egyptian Theater. The films are marvelous, even ...