It’s really difficult living in this city if you have a memory that operates longer than two weeks. It can drive you insane. Having wiped the slate clean by annihilating the perfectly superb classic film program at the County Museum, and installing in its stead an incoherent line-up of movie gobbledy-gook, along comes LACMA Trustee ...
There are still several wonderful films between now and then, but for your calendar’s purposes, one date stands out. The final screening of LACMA’s weekend classic film program, begun 41 years ago and overseen by Ian Birnie for the last 15, features Yasujiro Ozu’s “Late Autumn” (1962). That’s on Saturday, July 30, 2011. In his ...
It was pure pleasure, in the waning days of the LACMA weekend classic film series, as curator Ian Birnie trotted out yet another sublime film pairing, this time a comedy duo: the first film, Preston Sturges’ social commentary/classic, “Sullivan’s Travels,” topped by Ernst Lubitsch’s insane, zany, perfectly scripted, outrageous and brilliant “To Be or Not ...
We spun in classic film heaven at LACMA this weekend. The first installment of curator Ian Birnie’s final series — his last picture show — which is devoted to “audience favorites,” offered four stellar international films — one, each, by directors from Germany (Murnau), the U.K. (Powell/Pressburger), again Germany via France (Ophuls) and Italy (Antonioni). ...
It’s a sad and bittersweet moment. We’re down to the last weekend film series curated by LACMA’s great film department head, Ian Birnie. The 41-year old program, a landmark of high cinephilic culture, is giving way to a new structure, delivered in tandem with Film Independent and headed by the film critic Elvis Mitchell. There ...
In a brief message sent to arts·meme at the end of his day in London, LACMA Director Michael Govan writes, “I think we have a real foundation for continued and sustainable growth of the program now.” The just-announced new film program notably lacks the kind of stable financial underpinning that an endowment provides, nor there ...
This just in from the museum: “Los Angeles (April 6, 2011)—The Los Angeles County Museum of Art (LACMA) announced today that it has entered into a partnership with Film Independent, the non-profit arts organization that produces the Spirit Awards and the Los Angeles Film Festival. LACMA and Film Independent will inaugurate the new weekly Film ...
Los Angeles, megalopolis, hosts a cool, vibrant and progressive art scene, an expression of its unique history and inimitable cultural mix. Many Angelenos will derive pleasure and meaning from Michael Heizer‘s Levitated/Slot Mass, a pyramidal granite boulder suspended on concrete rails above a pit carved into the northwest corner of the L.A. County Museum of ...
The woman who advised LACMA CEO Michael Govan when he was relatively new to Los Angeles that classic film had no role at the Los Angeles County Museum of Art will leave her post, according to an oddly placed announcement in the Los Angeles Business Journal. From the Los Angeles Business Journal County Museum COO to ...
The subject is the long-term funding of LACMA’s film program, which is still not secured. In a February 17 curtain talk with Richard Schickel held in tandem with the museum’s respectful retrospective of his oeuvre, Clint Eastwood said: “I want to thank everyone for coming out here and supporting LACMA. I must confess I wasn’t as familiar ...