‘Kinetic Los Angeles’ heralds impact of Russian ballet in California
This startling and marvelous image of a ballerina garbed in an unprecedented and surely unreplicated costume graces the cover of “Kinetic Los Angeles: Russian Emigres in the City of Self-Transformation.” The journal, the 20th edition of the esteemed “Experiment,” has just been published by the Institute of Modern Russian Culture at the University of Southern ...
REVIEW: Daddy Dearest: Chris Lemmon’s touching tribute to Jack
A charming and winsome theatrical evening with a couple of talented Hollywood men … In “Jack Lemmon Returns,” now on through month’s end at the Broad Stage’s intimate “Edye” theater, Chris Lemmon shares his family photo album sprung to life. It’s the actor/musician’s one-man show of memories and anecdotes about his father, the hugely accomplished ...
Learn the rich story of Hollywood’s “Poverty Row” studios
Jan
13
2015
We always enjoyed hearing from our friends at Larry Edmunds Bookshop.The Lare is hosting a fun book talk next Saturday by two co-authors, friend of arts·meme Marc Wanamaker and historian E.J. Stephens. The duo’s new paperback tome, “Early Poverty Row Studios” is the latest Arcadia Publishing Images of America volume.Writes “Larry Edmunds:” The history of ...
Mae I entertain you, asks Ms. West
Jan
8
2015
Actress, singer, comedienne, playwright, screenwriter and sex symbol — no, we’re not describing arts∙meme. Rather, it’s the inimitable movie star Mae West. Movieland’s most provocative purveyor of dirty double-entendres did her job while strapped into an hour-glass figure. West made a name for herself in vaudeville and on the New York stage before moving to ...
Cleopatra enters Rome, courtesy of Hermes Pan 1
Excerpted from John Franceschina’s recent Hermes Pan biography, On 10 May 1961, Pan worked out an agreement with [“Cleopatra” producer Walter] Wanger in which he would provide choreography for the film at $2,000 a week, guaranteed for no less than fifteen consecutive weeks. In addition, he was guaranteed credit as “Choreography by Hermes Pan” on ...
Merry Christmas, Adolf! ~ love, TCM 3
Achtung, baby! Righteous programming, this Christmas night, from Turner Classic Movies: choreographer/director Alan Johnson’s TO BE OR NOT TO BE (1984), a remake of the Lubitsch political satire, well selected on this day of off-the-grid distribution of North Korea spoof, “The Interview.” Johnson and the great Mel Brooks collaborated on this promotional video for the ...
Mitchell Leisen’s first design project? A costume for Martha Graham!
Los Angeles has long been an arts beehive, dating back to the 1910s when modern-dance goddess Martha Graham and film director Mitchell Leisen converged here. We enjoyed receiving this amazing Los Angeles dance-film anecdote from Norton Owen, a friend of arts·meme and the Director of Preservation at Jacob’s Pillow Dance Festival. Writes Norton: I am ...
God dances, courtesy of director Charles Walters, on TCM
Fred Astaire wants to be a dancin’ man in THE BELLE OF NEW YORK (1952). Do you think he succeeds? Part of Turner Classic Movies Friday Night Spotlights devoted to the dancing movies, and more, of director Charles Walters.
Mitzi Gaynor to “go on with the show!” @ “There’s No Business … ” screening
We are so looking forward to big screen viewing, on its 60th anniversary, of 20th Century-Fox’s star-studded Cinemascope colossus, THERE’S NO BUSINESS LIKE SHOW BUSINESS (1954) next Tuesday, Dec 9 at the Regent Theater. [Everything you ever wanted to know about “There’s No Business” on this amazing webpage… ] The musical, chock filled with great ...
How “Birdcage” choreographer Vince Paterson created ‘Fosse Fosse Fosse’ number 4
“I had the joy of working with Mike Nichols twice. First on “The Birdcage,” and then on “Closer,” I directed Natalie [Portman] and Clive [Owen] in some movement.” We were chatting with choreographer Vincent Paterson on the sad occasion of the death of director Mike Nichols. While working on “The Birdcage,” Paterson created, on the ...