George Chakiris, choreographer’s assistant for Judy Garland’s 1956 Vegas revue 2
An amazing zoom back in time with George Chakiris, who is not only Hollywood dance royalty but a gifted actor and recording artist. George, who celebrates his birthday today, worked with major talent over his long career in stage, film, television and nightclub. He shared memories of assisting choreographer and dance-director Robert Alton in staging ...
Visit Spain, Czech Republic, both on Wilshire Boulevard
Sep
10
2013
Two European films, both from a similar era, will enjoy screenings soon, along the Wilshire corridor: “Goya” at the Goethe Institut and “Closely Watched Trains” at the Academy. Having attained boundless wealth and iconic status as a painter in the court of King Carlos IV, Goya falls head over heels for a beautiful princess while ...
Best of the West: Sam Francis retrospective @ Pasadena Museum
Sep
8
2013
The exhibition celebrates internationally acclaimed California abstract painter Sam Francis (1923–1994). A highly coherent survey approach to his career has been organized by curators Peter Selz and Debra Burchett-Lere around key periods of the artist’s ouevre, starting from early works made in the Bay Area in the 1940s, and leading through works made in the ...
Who’s behind arts•meme?
Sep
6
2013
Yes, we have survived for fifteeen years. So perhaps it is time for you to meet your arts•meme team. Editor/Publisher Debra Levine, the non-exclusive voice of the meme (we publish many other writers as well), chose the name ‘arts•meme’ in launching a fine arts blog covering film, classical music, jazz, theater, and the museum world, as ...
Koehler on Cinema: The Salinger Spectacle
Ever since “The Catcher in the Rye” was published in 1951, America has had a J.D. Salinger problem. It’s partly the author’s own making, but mostly due nation’s relentless quest for the next “Great American Novel,” that always-elusive White Whale of fame, the ultimate American measure of artistic worth. “Catcher” made Salinger famous alright: As ...
Rod Alexander’s “The Birth of the Blues” dance number rediscovered 3
Please, please God, don’t let the world blow up before Sunday night. Because Sunday night at 9 pm, I get to see choreographer Rod Alexander‘s brilliant dance number, “The Birth of the Blues” from THE BEST THINGS IN LIFE ARE FREE (20th Century-Fox 1956), at CINECON Classic Film Festival — in a new 35mm print, ...
Koehler on Cinema: Clips
Filmmaking team Allison Anders and Kurt Voss have been programming and producing the Don’t Knock the Rock film festival in Los Angeles for over a decade, with Cinefamily providing a steady home base after years of vagabonding around town. Focused (pure rock n’ roll, usually at the margins, with a taste for the overlooked and ...
Nicholas Brothers ballistic on silver screen 1
Joy to the world, the place to be at 4:30 this afternoon was the balcony of the Egyptian Theater, a spot that offered prime viewing, on opening day of CINECON Classic Film Festival, of DOWN ARGENTINE WAY (1940). The über-fun Betty Grable/Don Ameche technicolor south-of-the-border extravaganza from 20th Century-Fox was Grable’s first headlining role at ...
Koehler on Cinema: When Losey Went Pinteresque 1
At the center of Harold Pinter and Joseph Losey’s “The Servant” (opening Friday at Laemmle’s Royal) is how wonderful—no, how scrumptious—it is to watch James Fox’s sniveling, weakling upper-class gent brought down and subverted by Dirk Bogarde’s all-seeing, smirking house servant. Pinter’s name precedes Losey’s in the first sentence for a few reasons. One has ...