Bill Clinton, jazz guy
Nov
10
2014
First, an incredible “pick-up band” comprising Jimmy Heath, Joshua Redman and Wayne Shorter (saxophones), Stefon Harris (vibes), Jon Faddis (trumpet), Herbie Hancock (piano), James Genus (bass), TS Monk (drum) performed “Flying Home” in his honor. [It was played at his first inaugural ball.] Then Kevin Spacey imitated him, razor sharp. [“I love jazz,” drawled Spacey ...
Review: Ohad Naharin’s masterful “Sadeh21” @ CAP UCLA
Days after watching Batsheva Dance Company bring choreographer Ohad Naharin’s splendid full-evening work, “Sadeh21,” to vivid life in its U.S. premiere at the Center for the Art of Performance at UCLA, I am struck by the inadequacy of still photography in capturing the dance’s essence. The benign ring-around-the-rosy image, above, does not represent the multi-chaptered ...
Queen Liz gorgeously garbed in ‘Hollywood Costume’
The pinnacle (for this viewer), tour-de-force display of the Motion Picture Academy’s “Hollywood Costume,” now on view at LACMA’s May Company building, comes about mid-way through the multi-room exhibition and stretches across a long platform. “A Royal Romance” features a sumptuous swathe of historic Hollywood costumes that have dressed movie characters of British nobility — ...
JazzAntiqua lives, with live music @ Nate Holden Center Nov 15
If there’s anything I’m a bigger fan of than live jazz accompanying dance, it’s a great dance photograph … artistic director Pat Taylor has both on tap in promoting the premiere of “Song in a Strange Land,” a new work for her JazzAntiqua Dance Ensemble. Founded in 1993, the award-winning JazzAntiqua honors the jazz tradition ...
Eighteen minutes of dance greatness: James Brown, T.A.M.I Show (Oct 1964)
Fifty years ago! James Brown’s ballistic performance at the T.A.M.I. Show, Santa Monica Civic Auditorium, October 28 and 29, 1964. Even standing still, James Brown is one of the greatest-ever American dancers. High-Heeled Sneakers Prisoner of Love Please Please Please Night Train Like this? Read more: James Brown’s rhythm ecstasy, Paris 1971 James Brown playlist, ...
From Bernardo to “Bebo’s Girl”: George Chakiris tribute @ MoMA 6
Balmy Indian-summer weather added pleasure to the late-October opening weekend of “To Save and Project,” The Museum of Modern Art‘s annual film-preservation festival whose tasty programming included a tribute to Oscar-winning actor-dancer-singer George Chakiris. In “George Chakiris: A Life in Film,” a wide-ranging interview that could not begin to encapsulate his decades-long activity in film, ...
“Bebo’s Girl,” at fifty, to screen at MoMA’s “To Save and Project”
Oct
21
2014
Fifty years ago, in November 1964, a beautiful and moody Italian film, La Ragazza di Bube (Bebo’s Girl) opened in theaters. Based on an acclaimed novel by Carlo Cassola, the film recounts a love triangle in an anguished and entangled setting: Italy’s post World War II struggle to come to grips with its fascist experiment ...
Irina Baronova, baby ballerina no more
Oct
14
2014
In 1932 George Balanchine happened upon a ballet protégée, Irina Baronova, when she was a 12-year-old pupil of Olga Preobrajenska, the Russian ballerina teaching in exile in Paris. The visionary choreographer, who throughout his career would repeatedly mentor and package outstanding female dance talent, bundled Baronova with two equally precocious ballet cohorts, Tamara Toumanova (12) ...
George Chakiris in double NYC honor: first MoMA, then Juilliard
In fitting recognition of a great dancer whose searing, Oscar-winning performance as “Bernardo” in “West Side Story” was filmed on NYC’s Upper West Side terrain where the Juilliard School now stands, George Chakiris will visit the renowned conservatory for an interview and dance conversation. Location shooting of the playground sequences that open “West Side Story” ...
The essence of tap is a rhapsody
Among the more quixotic ventures one might try, maintaining a tap dance company ranks somewhere between reviving the celluloid collar and loading mercury with a pitchfork. The degree of difficulty—in attracting and keeping good dancers, choreographing for their collective and individual talents, finding sympathetic musicians, securing a worthy facility, mounting shows, and obtaining funding—keeps growing. ...