Why film community matters
Aug
2
2009
In this coming Sunday’s Los Angeles Times Calendar section you will find my article about choreographer Jack Cole who coached Marilyn Monroe in movement over the course of six of her films. Most famously, he choreographed “Diamonds are a Girl’s Best Friend” from Gentlemen Prefer Blondes. Jack Cole also choreographed “Put the Blame on Mame” for Rita Hayworth in Gilda, at ...
LACMA cancels film program 1
Aug
1
2009
This is a bizarre personal twist to a story affecting our community. On Tuesday July 28 I did something I have never done before. I sent a proposal for a series on dance and film to Ian Birnie, the erstwhile head of LACMA’s superb film program. The subject was choreographer Jack Cole whom I have been researching for ...
Merce Cunningham (1919 – 2009)
Jul
27
2009
It’s difficult to select a photo of Merce Cunningham. They are all so fabulous. Here’s an Annie Leibowitz portrait from 1994. Although I reviewed the company several times, I published only two feature pieces on Merce, one in 1984 in Hong Kong’s South China Morning Post, and another in La Opinion in 2005. I first studied ...
Julius 1
A legend; a paragon of high standards; someone utterly true to himself. That was architectural photographer Julius Shulman who died in Los Angeles yesterday. His work draws you in with its simple power, revealing L.A.’s hidden beauty. As a human being, Julius startled and amused with his engaging, quarrelsome, inquisitive personality. They broke the mold when they made Julius. Please ...
Twyla, Laura, and me 7
When American women demanded, and then seized, social and sexual liberation in 1970, I was an intense 15-year-old high-school girl in suburban Pittsburgh. Feminism hit me hard and it formed me. I entered young womanhood with the lovely delusion that life would deliver every achievement and pleasure I sought. Five years later, having already burned through ...
Cedar Lake Contemporary Ballet
The golden light in which gifted choreographer Ohad Naharin bathes his all-female quintet in “Decadance” is Mediterranean. It brings to mind the color of the air when frenetic Tel Aviv calms itself in the withering heat of the afternoon sun. Visions of Israel inevitably surface while watching “Decadance” Naharin’s perennial greatest-hits collection of choreographic output ...
Emanuel Gat, cool choreographer 3
Two similar-looking guys .. black tee-shirts and trousers … dance on a stage. Together. For an hour. That’s the Tweet on Monday night’s world premiere of choreographer Emanuel Gat’s “Winter Variations” at the American Dance Festival in Durham, North Carolina. [I am attending the ADF as part of a three-week long Dance Criticism Institute run ...