Choreographer Alan Johnson takes center stage!

Dance · Film
On a delicious Saturday afternoon last September, a bunch of dance devotees gathered at The Paley Center for Media to fete one of their own: the witty, prolific, tart-tongued choreographer Alan Johnson, an industry veteran of theater, nightclub, television, cinema and any-dance for the camera. “I had been thinking lately [about my career] wondering, ‘What ...

What a woman! Josephine Baker struts her stuff in “Bananas”

Dance · Theater
Just in time to celebrate Women’s History Month, the great Josephine Baker, as channeled by vivacious actress Sloan Robinson — whose pet project this is — will again rule the roost in “Bananas.” The award-winning production (it garnered the NAACP Theatre Awards in 2009) recounts La Baker’s rise from the slums of East St. Louis ...

Choreographer Leonid Yakobson’s Soviet struggle detailed at USC Conney Conference

Dance · Ideas & Opinion
Our good friend, the Stanford University-based dance historian Janice Ross, has written an important new biography about a seminal choreographer in the Soviet Union whose name does not have much recognition in the U.S. Few outside Russia know of Leonid Yakobson, a contemporary to George Balanchine and the leading modernist — and only Jewish — ...

Pure Petipa, courtesy of American Ballet Theatre

Dance
In this great portrait by dance photographer Gene Schiavone, American Ballet Theatre principal dancers Marcelo Gomes (Prince Desire) and Diana Vishneva (Aurora) pose in “The Sleeping Beauty” the full-evening ballet that just had its world premiere at Segerstrom Center for the Arts. ABT resident choreographer Alexei Ratmansky’s restaging of original choreography by Marius Petipa may ...

A triumph for ABT, Ratmansky’s “The Sleeping Beauty”

Dance · Fashion · Reviews
American Ballet Theatre celebrated its 75th anniversary last evening at Segerstrom Hall with its sublime new “The Sleeping Beauty” staged by Alexei Ratmansky using original choreography by Marius Petipa interpolated with contributions of his own. The sheer beauty of the production and the revelation of how fresh and compelling the Petipa language positions our national ...

‘ghosts’ waft cooly amidst Clare Graham curios

Dance · Visual arts
The weather was dark and dismal last Sunday evening for the opening of Stephanie Zaletel‘s spooky site-specific “ghosts,” a dance performance that took place in one of L.A.’s most happening art lofts. While the rain fell on York Avenue in Highland Park, a nice crowd found cozy respite by cramming into moryork gallery’s many nooks ...

God dances. Bow down!

Dance
At arts·meme, the words ‘Fred Astaire’ are not necessary. We believe the short code, “god,” will suffice. Here the 70-year old hoofer (now hoofer-in-heaven) gets pulled, ever modestly and reluctantly, into a solo performance by Bob Hope, at the 1970 Academy Awards show at the Dorothy Chandler Pavilion. The brilliant solo (we love his ‘do-the-swim,’ ...

Leon Bakst, Russian design genius, returns to Southern California

Dance · Fashion · Film
We await with great anticipation our voyage southward along Ye Olde 405 Freeway to Segerstrom Center for the Arts to experience the newly mounted production of “The Sleeping Beauty” — a joyous celebration of American Ballet Theatre’s 75th anniversary, choreographed by Alexei Ratmansky based upon original choreography by Marius Petipa. This production is a partnership ...

Meet arts·meme’s TCM Fest team of writers

Film
It’s March — and that means a fun countdown to TCM’s Classic Film Festival in Hollywood, the four-day maelstrom of movie mania that kicks in on March 26. arts·meme has enjoyed a regular presence at the Festival, having covered it annually since its inception in 2010. This year, it’s a divide-and-conquer strategy as critics Stephen ...

Martha Graham emblazoned by Barbara Morgan photo @ VPAC

Dance · Visual arts
Fascinating words that may have resonance today, excerpted from “Martha Graham, A Biography,” by Don McDonagh, page 148: “We must win back our audiences,” [Graham said, in an interview prior to the Company appearance at the Mansfield Theater in Letter to the World]. “We have alienated them through grimness of theme and a nontheatrical approach ...