The Lubitsch touch — for a 1929 wedding gown
travis banton wedding gown forjeanette macdonald Really wonderful to see director Ernst Lubitsch’s THE LOVE PARADE (1929) starring Jeanette MacDonald and Maurice Chevalier, at Paramount Pictures where the movie was made 90 years ago. The delightful light comedy, peppered with MacDonald-esque coluratura and Chevalier-esque direct chatter to the audience, was screened at a fundraising event ...
TCM salutes Hollywood’s distinguished costume designers
We like Deborah Nadoolman Landis. She’s pretty, she’s nice, she wears spectacles, she has a cool husband, and she’s an arts·meme subscriber. Hey, she’s a Deborah! What’s not to love? More importantly, Ms. Nadoolman Landis is a huge expert in a super interesting field. She earned a Ph.D. in history of design from the Royal ...
C.B.’s captivating “Cleopatra”
Sep
28
2010
We just loved Cecil B. DeMille’s Cleopatra (1934) — a movie that burns at high voltage for one hundred entertaining minutes. It looked all the better projected onto the Egyptian Theater’s humongous screen. Scott Eyman, author of the new DeMille biography, “Empire of Dreams,” was on hand to banter about the film with critic Leonard ...
Cleopatra reclaims the Egyptian Theater 1
Aug
31
2010
What better place to celebrate the art (and commerce!) of Cecil B. DeMille than the Egyptian Theater on Hollywood Boulevard? An under appreciated director who mined the nexus of the lofty and the lusty, DeMille fits well with the Egyptian Theater’s ornate aesthetic. His influence was ingrained in mainstream American culture by the time Sid Grauman ...
Travis Banton undresses Miriam Hopkins
Jul
19
2010
We’re midway through Ian Birnie’s weekend film retrospective of the American-made comedies of Ernst Lubitsch at LACMA. Last weekend, we levitated in pleasure under the spell of “Design for Living“ (1933), the sophisticated German-born film director’s version of the Noel Coward play. Two Americans sharing a flat in Paris, playwright Tom Chambers (Frederic March) and ...
All hail Travis Banton, Paramount Pictures costume designer
LACMA’s retrospective of Ernst Lubitsch comedies, made in America with a classy European sensibility, opened with the giddy perfection of the German-born director’s “Trouble in Paradise” (1932). Of all the ingredients simmering in this film’s sweet stew, it’s the pre-code evening gowns in which “Trouble”‘s two leading ladies circulate the sound stage dropping witty dialogue ...