Koehler on Cinema: Elmore Leonard’s True West
The sad news of Elmore “Dutch” Leonard’s death this morning has prompted too many news headlines linking him almost equally with his novels and the movies adapted from them—despite the fact that he openly, caustically and hilarious demoted most of the adaptations. Leonard happens to have had several of his books translated to the big ...
Koehler on Cinema: The Act of Killing Original Movies 2
It’s a familar Los Angeles dilemma. Great movie opens in ultra-limited release to rave reviews. It runs a week (at best, two), then dies. If it hasn’t happened a dozen times, it’s happened a hundred, maybe a thousand. Major, groundbreaking work by our finest living filmmakers, from Apichatpong Weerasethakul to Lisandro Alonso to Kelly Reichardt ...
Koehler on Cinema: Clips
Film writer Robert Koehler’s latest feature, “Clips,” offers tips & tidbits for the harried cinephile. Speaking of Criterion’s two-disc DVD/Blu-ray edition of “l’Avventura,” Barnes and Noble is currently offering its semi-annual 50% sale on titles in this most distinguished of video catalogues. Usually, due to the expenses incurred with restorations, research and the considerable background ...
Koehler on Cinema: L’avventura
When asked last year by Sight & Sound magazine, the venerable film journal of the British Film Institute that publishes a once-per-decade list of the best films of all time (from polls of critics, filmmakers, scholars and programmers), to contribute my own list, it was a struggle. Where to place one of the Anthony Mann/James ...
Koehler on Cinema: “Between Us”
As Roman Polanski’s decidedly awkward “Carnage,” his 2011 adaptation of Yasmina Reza’s “God of Carnage” reminded, faithfully transferring plays to the screen more often than not fails. Dan Mirvish’s “Between Us,” his not-so-obeisant screen version of Joe Hortua’s play (commissioned but never produced by Costa Mesa-based South Coast Repertory), also deals with two married couples ...
Koehler on Cinema: Kubrick’s Last Movie
“Stanley Kubrick,” LACMA’s enormous exhibition devoted to the influential filmmaker, which closes June 30 for its only American stop, is essential viewing. The reasons why go beyond the show’s palpably physical survey of the life and work of one of the most important directors since World War II. It provides the viewer with an entirely ...
New programming duo at Film Society of Lincoln Center
Sep
13
2012
A familiar pair has been named as co-directors of programming at the Film Society of Lincoln Center, replacing the longtime Director Richard Peña, who will celebrate his 25th and final New York Film Festival later this month. Kent Jones, at right, will return to the Film Society next year to lead the New York Film ...