Marilyn dances . . . 1
The first man to impersonate Marilyn Monroe may well have been her dance coach, Jack Cole. Anticipating the iconic Marilyn, he brought out her exceptional femininity through dance. Monroe copied him in return. A star was born. Monroe’s six-movie collaboration with Cole began with 1953’s “Gentlemen Prefer Blondes,” the breakthrough film that made her a ...
Why film community matters
Aug
2
2009
In this coming Sunday’s Los Angeles Times Calendar section you will find my article about choreographer Jack Cole who coached Marilyn Monroe in movement over the course of six of her films. Most famously, he choreographed “Diamonds are a Girl’s Best Friend” from Gentlemen Prefer Blondes. Jack Cole also choreographed “Put the Blame on Mame” for Rita Hayworth in Gilda, at ...
Travis Banton turned tootsies into stars 1
I had the great pleasure of spending a few hours with writer David Chierichetti, the film fashion expert. David is the biographer of the under appreciated film director Mitchell Leisen; costume designer Edith Head; and he is author of coffee table volume, Hollywood Costume Design. Driving in L.A. traffic en route to the Egyptian Theater, ...
Liza with a Z at “Last Remaining Seats” 1
I love the Los Angeles Conservancy’s Last Remaining Seats summer film festival on Broadway in downtown Los Angeles. Nothing in our city compares to it as a community event. (Lakers fans may disagree!) To sit in the faded remains of downtown’s glamorous vintage theaters, chock-a-block with an excited, engaged, clapping, laughing, appreciative audience, watching classic ...
La Barbra at BevHills Bergman tribute 2
Barbra Streisand is still a very big star. This was extremely evident at last night’s Alan & Marilyn Bergman tribute at the Academy of Motion Picture Arts & Sciences’ Wilshire Boulevard outpost. The tribute opened with a film clip of Barbra ogling Robert Redford in Sydney Pollack’s The Way We Were (1973). It closed with Babs, ten years later, ...
Wolf men and other men 2
Mar
30
2009
“It’s rare to truly see a film anymore,” said Robert Boyle, opening a conversation at the Art Directors Society tribute at the Egyptian Theater Sunday night. The legendary art director followed that enigmatic statement by noting how television technique has infiltrated feature film production — in a bad way. According to Boyle, today’s movies are “all ...
The devilish Madam Satan 6
This is the amazing “electricity” dance sequence from Cecil B. DeMille’s early talkie Madam Satan (1930). A socialite costume ball is taking place — where else? — in a moored zeppelin. The floor show, pictured above, features the fearsome dancing of Theodore Kosloff, a former Ballets Russes star who lived in Los Angeles and acted in many DeMille silent ...
Jewish prince of Hollywood 1
Jan
15
2009
What can I, a mere mortal, possibly add to the legend of Irving Thalberg, Hollywood’s “boy wonder” producer who helped transform American movie making from a haphazard endeavor into a real industry; indeed a mass-market, fantasy production line. Starting as a secretary to “Uncle” Carl Laemmle at the tender age of 20, Thalberg earned stripes at Universal by bossing ...
Girl Power 2
The home-run event of the summer was Howard Hawks’s comic masterpiece, Gentlemen Prefer Blondes (1953), projected on the humongous screen of the vintage Los Angeles Theater (1931) on Broadway in downtown L.A. Viewed as oversized fleshy Amazons whose umpteen parts miraculously move together, MM and Jane Russell cruise through this nutty film, singing, dancing, and ...
Bette Davis turns 100 years old 4
Jun
3
2008
To celebrate the occasion, we attended a LACMA double-bill of two of Davis’s late-career outings (post-All About Eve and pre-Baby Jane). We watched in morbid fascination the divine Ms. D chomp both the scenery and her hunky co-star, Sterling Hayden, in The Star. Davis plays a washed-up movie celeb who tries, fails, and ultimately succeeds ...