Jail bait from Hollywood choreographer Alex Romero
A new book “The Man Who Made the Jailhouse Rock: Alex Romero, Hollywood Choreographer,” author, Mark Knowles, briefly reviewed: Alex Romero was one of the last of the Hollywood Studio staff choreographers who never received the attention or success he deserved. As if his life story is not remarkable enough, his talents were well known ...
Dance DNA: The Nicholas Brothers honored at the Alex 1
What caused these two dancers, each bringing his own qualities and characteristics, to meld and synergize into a ballistic dance unit known as The Nicholas Brothers? Sly Stone said it best: “It’s a family affair.” This was the implicit message delivered across an incredibly fun Sunday evening spent with the two handsome and talented gentlemen ...
Finessing Fosse’s furious, filigreed dance style
Jan
6
2015
New Yorkers can sign on — hey, Angelenos may like to fly east — for a rare opportunity. It’s January’s installment of a monthly master-class series that seeks to preserve a classic American jazz-dance vernacular: the angular, syncopated dance jive fostered by choreographer Bob Fosse. A good sampling of Fosse’s house-style is on view in ...
Cleopatra enters Rome, courtesy of Hermes Pan 1
Excerpted from John Franceschina’s recent Hermes Pan biography, On 10 May 1961, Pan worked out an agreement with [“Cleopatra” producer Walter] Wanger in which he would provide choreography for the film at $2,000 a week, guaranteed for no less than fifteen consecutive weeks. In addition, he was guaranteed credit as “Choreography by Hermes Pan” on ...
Merry Christmas, Adolf! ~ love, TCM 3
Achtung, baby! Righteous programming, this Christmas night, from Turner Classic Movies: choreographer/director Alan Johnson’s TO BE OR NOT TO BE (1984), a remake of the Lubitsch political satire, well selected on this day of off-the-grid distribution of North Korea spoof, “The Interview.” Johnson and the great Mel Brooks collaborated on this promotional video for the ...
Shtetl soul to rock citywide Laemmle Theatre “Fiddler” screenings 1
On view here Jerome Robbins’s great “bottle dance” rising in a cloud of soulful Jewish peasant-dust at the wedding ‘banquet’ of Tzeitel and Motel. Apropos this brilliant dance number — for this dance critic the indelible imprint of director Norman Jewison’s surprisingly powerful visual recreation of the Eastern European world of the ‘shtetl’ Jews — ...
Jack Cole’s arm coaches Rita Hayworth in “Amado Mio” from GILDA
For the longest time, we have wondered whether the great choreographer Jack Cole (born in New Brunswick New Jersey, he got his start as a barefoot Denishawn dancer) worked with Rita Hayworth on her Latin-dance number, “Amado Mio” from GILDA (1946). That choreography would be above and beyond his well-acknowledged creation of Rita’s seminal, classy ...
God dances, courtesy of director Charles Walters, on TCM
Fred Astaire wants to be a dancin’ man in THE BELLE OF NEW YORK (1952). Do you think he succeeds? Part of Turner Classic Movies Friday Night Spotlights devoted to the dancing movies, and more, of director Charles Walters.
Mitzi Gaynor to “go on with the show!” @ “There’s No Business … ” screening
We are so looking forward to big screen viewing, on its 60th anniversary, of 20th Century-Fox’s star-studded Cinemascope colossus, THERE’S NO BUSINESS LIKE SHOW BUSINESS (1954) next Tuesday, Dec 9 at the Regent Theater. [Everything you ever wanted to know about “There’s No Business” on this amazing webpage… ] The musical, chock filled with great ...
How “Birdcage” choreographer Vince Paterson created ‘Fosse Fosse Fosse’ number 4
“I had the joy of working with Mike Nichols twice. First on “The Birdcage,” and then on “Closer,” I directed Natalie [Portman] and Clive [Owen] in some movement.” We were chatting with choreographer Vincent Paterson on the sad occasion of the death of director Mike Nichols. While working on “The Birdcage,” Paterson created, on the ...