Review: Ohad Naharin’s masterful “Sadeh21” @ CAP UCLA
Days after watching Batsheva Dance Company bring choreographer Ohad Naharin’s splendid full-evening work, “Sadeh21,” to vivid life in its U.S. premiere at the Center for the Art of Performance at UCLA, I am struck by the inadequacy of still photography in capturing the dance’s essence. The benign ring-around-the-rosy image, above, does not represent the multi-chaptered ...
Irina Baronova, baby ballerina no more
Oct
14
2014
In 1932 George Balanchine happened upon a ballet protégée, Irina Baronova, when she was a 12-year-old pupil of Olga Preobrajenska, the Russian ballerina teaching in exile in Paris. The visionary choreographer, who throughout his career would repeatedly mentor and package outstanding female dance talent, bundled Baronova with two equally precocious ballet cohorts, Tamara Toumanova (12) ...
At CAP UCLA, the ‘B’s have it!
To be or not to be, that was the question Center for the Art of Performance at UCLA artistic director Kristy Edmunds pondered in fashioning her arts-forward performance series for the 2014-15 season. So much so that the curator tilted in one direction: toward artists with names starting with the letter ‘B.’ Yes, a barrage ...
Philip Glass on Cocteau’s “La Belle et La Bete”
Our friends at the Center for the Art of Performance (CAP-UCLA) have shared with us an essay by Philip Glass concerning his musical reconfiguring of Jean Cocteau’s “La Belle et La Bete” (“Beauty and the Beast”) to be screened this Friday night, May 2, one night only, at Royce Hall. The film will have live ...
Susan Marshall’s fetishized femmes
“Stop,” created by choreographer Susan Marshall, is a music video featuring an original score by Pulitzer prize-winning composer David Lang, played by members of the electric guitar quartet Dither and Mantra Percussion. “Stop” is a virtual companion piece to Susan Marshall & Company‘s new dance performance Play/Pause, which the Center for the Art of Performance ...
Meredith Monk muses on “our intimate connection to nature”
Perusing program notes after enjoying Meredith Monk’s wonderful ensemble of songbirds at CAP-UCLA last night, I was moved by the veteran performance artist’s statement. After a bruising week of human destruction, with cataclysms in Algeria and Moscow, where the head of the Bolshoi Ballet was horribly attacked, the essay struck me as tonic. Writes Meredith ...
The challenge of “‘Tis Pity” … a chat w/ CAP UCLA’s Kristy Edmunds
Jan
8
2013
Reading up on the 17th century play, ‘Tis Pity She’s a Whore, I broke into a sweat. The work is about incest, tough stuff. Cheek by Jowl Theater, the celebrated troupe of British actors, brings playwright John Ford’s tragic drama about carnal knowledge between a brother and sister to UCLA’s Freud Playhouse for a five-performance ...