Barrie Chase: a beautiful doll who danced for Jack Cole
She’s a dancer’s dancer, a real stunner. The ballet-trained Barrie Chase was the leggiest creature since Cyd Charisse to hit the Hollywood gypsy-dance circuit when she got a gig as a chorus dancer in Vincent Minnelli‘s KISMET (1955). The choreographer? The great Jack Cole whom The Museum of Modern Art is honoring in All That ...
Connoisseur’s choice: Saturday January 23 @ MoMA
1:00 pm. Introduced by Barrie Chase, Les Girls. 1957. USA. Directed by George Cukor. Screenplay by John Patrick. Music by Cole Porter. Dances by Jack Cole, Gene Kelly. With Kelly, Mitzi Gaynor, Kay Kendall, Taina Elg. 114 min. Backed by an MGM budget, Cole contributes dances of Cukor-esque sophistication. The multifarious “Les Girls” number accommodates ...
MoMA curator Roy gives context to Cole retrospective
Why should The Museum of Modern Art undertake a comprehensive retrospective of the works of a film choreographer? MoMA Chief Film Curator Rajendra Roy shares his well-articulated thesis behind the museum’s upcoming Jack Cole retrospective with writer Hilary Lewis of The Hollywood Reporter. Explains Roy: In late January … we’re honoring Jack Cole, who was ...
Jack Cole, Jerry Robbins put dancing sailors into the zeitgeist, 1944-5
The war was just over — September 2, 1945. The streets of the nation, especially the big cities like New York and Los Angeles, had been teeming with military men. So it’s not that unusual that choreographers were putting these figures into their dances. And yet, it’s odd, isn’t it, that a trio of sailors ...
“All That Jack” talk a key element of Cole retrospective 2
It is exciting to share ideas, feelings and observations with a savvy audience about a master of cinematic dance. That’s Jack Cole, whom I have been researching, writing and giving talks about for eight years. Where better place to pay tribute to this influential, mid-century American artist than The Museum of Modern Art? And that ...
Not just talkin’ tap, dancing it too @ ALOUD
A wonderful learn-and-have-fun program heading our way after the New Year, as Central Library’s cozy Mark Taper Auditorium will host a special book talk sprung to life. New York Times dance critic Brian Seibert will converse with his Los Angeles cohort, Sasha Anawalt, about his new book, “What the Eye Hears, A History of American ...
Costumes! Vivid colors bump up Cirque KURIOS charm
Stunning costumes, in gorgeous hues, contribute only one of many memorable production elements of Cirque du Soleil’s KURIOS – Cabinet of Curiosities, written and directed by Michel Laprise. A terrific holiday outing for the family, the two-act show is now on view in the old-tyme Grand Chapiteau erected in the big old parking lot of ...
MoMA announces ‘All That Jack (Cole)’ films 2
It’s historic. Never before has the brilliant Hollywood choreographer’s cinema output been compiled in a single, curated exhibition. The rare opportunity to grasp and assess the entirety of Cole’s talent and influence is in store for New York audiences from January 20 through February 4, 2016. Over the course of two weeks, 18 films (most ...
‘Hopscotch’ing through the Bradbury Building
Photographic memories of “Hopscotch,” a rolling (literally, in cars), city-wide site-specific opera performance that in one of its home bases — the regal Bradbury Building of downtown Los Angeles — dancers scampered ’round audience, even in a wrought-iron caged elevator. Intermingling in the photo with crew from The Industry are the dancers of Ate9 Dance ...
Infectious holiday fun: “Salsa Navidad” at VPAC
Oscar Hernandez came of age in the burgeoning New York Latin music scene of the 1970s and ‘80s, when the Fania label recorded many of the greats canonized today: Willie Colón, Bobby Valentín, Pete Rodriquez, Johnny Pacheco, Cheo Feliciano, Larry Harlow, Hector Lavóe, Ray Barretto, Luis ‘Perico’ Ortíz, and Papo Lucca among others. It was ...