IT ALWAYS RAINS ON SUNDAY 1947, Rialto, 92 min, UK Dir: Robert Hamer A former barmaid, now the harried matriarch of a family in impoverished Bethnal Green, jeopardizes everything to shelter the escaped fugitive who was once her lover. A slice-of-life noir and prototype of British “kitchen sink” drama. BRIGHTON ROCK 1947, Rialto, 92 min, ...
Yes, it’s that time of year again. Film festival overload, otherwise known as April. The American Cinematheque and the Film Noir Foundation join forces for the 15th annual Festival of Film Noir. Shady dames and murderous mobsters converge for dark tales of jaded gumshoes, femmes fatale and menacing heavies in gloriously gritty black and white. ...
An unusual choice for the opening act of the Noir City film festival: The Great Gatsby (1949, Paramount) in a new 35 mm print. The festival, now on at the Egyptian Theatre, is co-produced by the Film Noir Foundation and the American Cinematheque. F. Scott Fitzgerald’s great masterwork from 1925 is far from pulp fiction. ...
Fourteen years ago, the American Cinematheque launched its inaugural festival of film noir. Back in 1999 it was called “Side Streets and Back Alleys: A Festival of Film Noir,” and it featured dozens of forgotten films, retrieved from critical exile, that have since been recognized as unjustly neglected genre gems, with many returned to circulation ...