Pina Bausch, Matthew Bourne in dance takeover of Bunker Hill
ROMEO AND JULIET director/choreographer matthew bourne, photo credit: johan persson It warmed my dance critic’s heart to see swarms of Angelenos flocking onto the Plaza of the Los Angeles Music Center to enjoy two impressive and complex dance showcases, both running, separately, at the stalwart performing arts center’s active houses. The 2,000-seat Ahmanson Theater is ...
REVIEW: Paul Taylor repertory a miss in Music Center dance-season opener 2
Who signed off on the venerable Paul Taylor Dance Company’s repertory-mix shared with fans at the Los Angeles Music Center this weekend? What should have been a joyous Los Angeles reunion with one of the nation’s longest-lasting dance companies (it dates from 1954!) felt like modern-dance homework. This show, in its totality, did not connect. ...
Lauren Lovette ‘Dreamachine’ for Paul Taylor Dance Company soon at Music Center
Apr
10
2023
lauren lovette, choreographerphoto: erin baiano One piece of the esteemed Paul Taylor Dance Company‘s three-work program at the Los Angeles Music Center’s Dorothy Chandler Pavilion the final weekend of April has our special interest. It’s a world premiere, first of all. That’s a big deal — and an honor for Los Angeles. But it’s the ...
Memorial Day 2020: Los Angeles theaters we miss 1
coveted during covid quarantine – the egyptian theatrethis spectacular photo of the egyptian’s balcony by morgan glier for the ucla daily bruin It all feels surreal — but my essential problem during the theater shutdown of the Covid-19 pandemic is that for me, art happens at night. Rarely during the day, sometimes at matinees, and ...
Balanchine’s rainbow of “Jewels” met by Mariinsky pristine classicism 1
Oct
27
2019
“Emeralds,” to Faure They may not thrust, propel, and hit marks with the velocity and modern shapeliness of their colleagues in New York City Ballet. Why would they? They are differently trained. Speed was hindered by lugubriousness. Idiosyncratic details went undervalued. Still, it was beautiful to observe the purity of classical technique that Mariinsky Theatre ...
REVIEW: Go to ‘Royal’ hell, in Wayne McGregor ballet
edward watson & artists of the royal ballet, photo: cheryl mann In the first of my two viewings of choreographer Wayne McGregor‘s explosive and brilliant dance collaboration with composer Thomas Ades and the Los Angeles Philharmonic, “The Dante Project Part 1 [Inferno]” danced by The Royal Ballet as a world premiere for Glorya Kaufman Presents ...
Dylan Gutierrez brings his Romeo home to L.A. with The Joffrey Ballet
The Joffrey Ballet’s Dylan Gutierrez is an LA kid. Before he hit ten, he was on stage with Placido Domingo in LA Opera’s “Falstaff” and “Sampson and Delilah” at the Dorothy Chandler Pavilion. He was a student at the Los Angeles Ballet Academy in Encino – run by his former-ballerina mother – and was once ...
Stella Abrera, ABT’s proud Firebird, soon in flight at the Chandler 3
She’s a woman of color in a white ballerina world. She began her training in Southern California, joined American Ballet Theatre, had a serious injury, recovered and was promoted to principal in 2015. Misty Copeland, right? No, it’s Stella Abrera. A Filipina American, her career trajectory is similar to Copeland’s but without all the hoopla. ...
Mariinsky Ballet: Southern California viewing guide
Aug
18
2015
That life can be difficult is no news. We all have to make tough decisions all the time. The latest? Where to see the great Mariinsky Ballet, also known as the Kirov Ballet, lately reverted to its Imperial Ballet nomenclature, in the ballet-and-orchestra conglomerate’s upcoming visits to Southern California. The Mariinsky ports some of the ...
Review: Under pink clouds, Music Center’s “Moves After Dark”
Dance critic Gillian Anne Renault contributes this review to arts·meme: As grey clouds turned pink Monday evening and a cool breeze dimpled the Mark Taper Forum pool, a powerful alto voice quieted the crowd for Moves After Dark, The Music Center’s inaugural, site-specific, mainly outdoor dance concert. The ambitious evening, well executed, proved a worthy ...