Through the eyes of Milton Glaser

Architecture & Design · Visual arts
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If you lived in America in the last half of the 20th Century, you saw the country, in part, through the eyes of illustrator and graphic designer Milton Glaser (1929-2020). So prolific and widespread was his visual sense that, for a while, almost all good design looked like his. He co-founded Push Pin Studios, the ...

John Sebastian’s Greenwich Village memories 4

Music
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John Sebastian’s songs for the Lovin’ Spoonful placed him firmly in the elite 1960s songwriting fraternity that helped turn rock from entertainment to an art form. Like Paul Simon, John Phillips of the Mamas and Papas and Roger McGuinn of the Byrds, Sebastian was one of the prime architects of folk-rock. That crop of folk ...

‘Summer of Love’ in pop-up film-fest

Film · Music
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As a nod to recurring “Summer of Love” fever, the American Cinematheque presents a pop-up 1960s mini film fest. Martin Lewis curated the fondly-recalled “Mods ‘n Rockers” series at the Egyptian Theatre, and he’s chosen a handful of titles to be screened at Santa Monica’s Aero Theatre this weekend. “Mods ‘n Rockers” was great fun ...

Bob Dylan’s latest dream: Nobel Laureate speech

Ideas & Opinion · Music
excerpted: Achilles tells Odysseus, it was all a mistake. I just died, that’s all. There was no honor, no immortality and if he could he would choose to go back and go back and be a lowly a slave to tenant farmer on earth rather than be what he is, a king in the land ...

No need for thank-you note

Music

Robert Frank doc, ‘Don’t Blink,’ opens soon in L.A.

Film
Robert Frank, now 91 years old, is among the most influential artists of the last half-century. His seminal volume, The Americans, published in 1958, records the Swiss-born photographer’s candid reactions to American poverty and racism. It helped define the off-the-cuff, idiosyncratic elegance that are hallmarks of Frank’s artistry. Director Laura Israel (Frank’s longtime film editor) ...

Coens recycle musical rivalries in “Inside Llewyn Davis”

Film · Ideas & Opinion
The closing moments of the Coen Bros “Llewyn Davis” distinctly refer to a struggle between two artistic strivers; the rapidly imploding and unsuccessful Llewlyn, a fictional character, eclipsed by a real-life rival who burned brighter — Bob Dylan. The film also hearkens an earlier aristic rivalry between a bright star and a perpetual under dog: ...